Great "Actingness"

Great "Actingness"

She Writes A Little

I dunno if this happens with every profession, but “acting” I think gets a shittier rap than it should.

…Almost all you see about it are the glories and pitfalls…not the grunt work. Celebrity is great and all…awards are fantastic…excess, alcoholism, bitch-fights, and drug abuse are our biggest downfall…but the media has pushed these things so heavy to the forefront, as to soil the reputation of what we actually do out there in the world with our work, by and large.

This is an honored profession. It is an esteemed collective. It is a group of individuals, striving to show and share the human experience, broaden the brotherhood, celebrate our uniqueness, crossing age, race, sex, politics, religion…it provides another point of view, educates, enlightens, and broadens our horizons. It is a window looking into the best and worst of us, to study in hopes of understanding and relating to one another better tomorrow than we did yesterday, and last year, and 500 before that.

What we do (if we are intent to do it with serious ethic and art, not just for the bucks and golden statues), is an honor of trust. We are the mirror of the world and all it’s dark, bright, horrible, beautiful, terrifying, delightful places. And that, I think, is why we are so hungry to watch and seek and find new mentors from other people’s work. It is why we hold viciously intense emotional relationships with people we’ve known for two months time and might not even see again for fifteen years.

…It is why you can have an enormous amount of pride in another person’s drop-dead-gorgeous performance, whether you’ve met them or not…like it is a personal achievement of your own.

…Because it sort of is.

Great acting makes the world of “other” fall away. When you get sucked into a performance, it becomes a personal experience between you and the actors involved. They are peeling back and showing something naked and vulnerable to you…no half way…no safety net…without knowing how you will react to it, if you will honor it, spit on it, roll your eyes at it, get angry about it, hate them, or want to ravish them for it. It’s a hell of a trust exercise, I gotta tell yuh…and the success rate, even on an Award-winning-everything performance, will never be 100%.

…Because art is in the eye of the beholder, and what speaks to some might not to others.

…But when a performer sees another performer being brave…being honest, and naked and real. When it makes you feel embarrassed for watching, as if you’ve crossed a line that courtesy tells you is too far…when you are shown something that heaves your guts in empathy, or pity, or disgust…when it isn’t pretty, but somehow beautiful with the perfection of reflection on ourimperfections, as “people”…it becomes almost a personal triumph of your own as WELL as whoever the hell just did that scene in front of you.

Because you KNOW what that kind of thing takes.

You’ve had to go there too.

…It isn’t about comparing your talents, it’s about embracing the fact that this is “family”…that person is your acting-brother-or-sister. This is OUR TEAM. And holy shit, did you just see what they did??!?!?!

I think this “pride”…or whatever you wanna call it…is in some part based on that familial sense of “we” and “us” that the acting community shares. It’s ties go deeper and get stronger if it is in regards to someone you have literally sweat and toiled with before, or have mentored personally, or have considered a mentor to yourself. But, these people do not need to even be aware of their personal link with you…they may have never met you…it doesn’t matter. If you have become invested in their art personally, then you take their hits and misses like a silent partner in crime…and you are one, because as everyone knows, the audience is the final cast member to everything we do. Whether they become invested and come along on the journey or not, has a huge baring in what our work will achieve.

When I see a performance that really, really arrests me…it becomes more than just an “entertainment.” If it has totally side-swiped my emotions, it becomes a literal part of me. A study piece. I will hold onto it. I will own it. I will make use of it, in some way, at some point, in my own work…it will live with me…in my tool kit of experience I’m constantly adding to.

…Someday, I will be faced with a moment, a line, a scene and in my brain I will think, “This is too much, I don’t know how to achieve all this. How can anybody go this far into the black hole of this character, and still retain a sense of self at the end of the day?”

…And I will open my toolkit, and take out a performance I have seen and say, “That’s how. Right there. You just become brave as fuck…like them…and do it.”

Last night I was up till 2:30 am watching a performance just like that.

Twice in fact.

…And it’s mine now. I own it: the lessons that come with it, and the pride in a sister-performer-teacher, who was balls-out beautifully brave enough to create it.

…Makes me feel “our team” just won a hell of a prize-fight.

…Makes me just itch to put it to use in my own right.

…Makes me proud to be a part of the family.

All good things :)



Photo: Michelle Fairley and Andrea Corr in Dancing at Lughnasa. Photograph: Tristram Kenton

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