Recently I went to see the “Phantom of the Opera” on Broadway. I’m not going to talk to you about the show, the cast, or anything really that has to do with its production. Instead, let’s talk about drinking. And by drinking, I mean getting freaking toasted at a Broadway show. Hell, any theatrical performance.Read More
While scrolling through the glorious world of Facebook, I stumbled upon a new comedy short film which is produced by BBC Three and Rebel Park Productions. This short film featured Catherine Tate, Gemma Arterton, Anthony Welsh, Felicity Jones, Gemma Chan, Emelia Clark , Wunmi Mosaku, Stacy Martin, Katie Leung, Lena Headly, Tom Hiddleston, Florence Pugh and directed/written by Jessica Swale.
This film features actresses auditioning for a new role, and being coxed by the audition panel to be more sexy, more smiley, more white, wear make-up and basically radiate sex appeal for a part which doesn't need that. Watch the film below this article.Read More
The sense of adrenaline floods you in an instant, with bodies flying past you as they check just one last time that everything is in the right place. The crew tightens all of the ropes lined up against the wall without a second glance towards the actors while the racks and racks of costumes are triple checked by the changers as they try to remember the order of each scene.Read More
A couple of years ago, I attended a production of RENT that was touring through my area. I was sitting towards the front of the mezzanine area and behind me were a group of younger men and women who were very excited to see the show.
As the show began, and pretty much throughout the entire performance, they all proceeded to sing or speak dialogue from the show. Seldom is a minute go by where I didn't hear their rendition of various moments in the script.
When the show ended and we got out to leave the theatre, I took a dollar out of my pocket and offered to the girl behind me.
"What's this for?" she asked.
"I wanted to make sure I paid you for the performance," I said with the most amount of snark I could muster.Read More
For everyone who is deeply involved in the theatre community – whether you’re an actor, a playwright, a director, a technician, a designer, etc. – I’m sure there’s been at least one time when you’ve questioned whether you were good enough, when you worried that you might not have a bright future in the arts, or when you wondered if maybe you should just give it all up. It’s something that even the best of us have always experienced, and if you haven’t already, there’s a chance you will, at one point or another.
Personally, I’ve had these feelings on many past occasions, during my high school and college years. Frequently, I doubted to myself whether I had what it takes to make it to where I want to be in 5 or 10 years, and whether or not I should even bother to keep going. I still know some people today, who seem to be going through this phase of uncertainty right now, and I’m sure others who are reading this might be, as well.Read More
Never one to shy away from causing a stir, New York Times Chief Theatre Critic, Ben Brantly, has crossed a line with many due to his review of Head Over Heels which opened at the Hudson Theatre last night.Read More
When I look back from my resume of theatre roles, there's one that stands out to me as the one. The one that made me want to peruse musical theatre. That role was a child in the kids chorus of Joseph And the Amazing Technicolor Dreamcoat.Read More
Last year, Chicago Sun-Times theatre critic, Hedy Weiss, was rightfully criticized for her review of Mamma Mia where when mentioning the costume design, she said the following:
"Theresa Ham’s character-defining costumes make the most of the many “real women” figures on stage, just as the gold and silver spandex outfits outline the perfect bodies of the terrific chorus dancers"
Obviously, the fact that Weiss made a point to emphasize "real women" figures as opposed to the "perfect bodies" of the dancer, was met with harsh backlash and accusations of body shaming.Read More
For those who don't know, understudies and standbys are the individuals who know the roles of other actors in the event that that actor cannot make the performance. While there are some notable differences between the two titles, their mission is to seamlessly step in to the character’s shoes so that the show may go on at the caliber it would have should the originally cast individual be the one on stage. They must quickly establish chemistry with their scene partners, and this task alone is no easy feat.
These individuals are rock stars and deserve more credit than the disgust they are often met with upon their tiny flyer at the front of the playbill. Whether it's Ohio State University alumnus Sifiso Mazibuko (a standby at Hamilton: An American Musical in London), or a high school understudy for Rizzo in Grease, these people have to know their scripts, learn countless vocal parts, and master quick changes, so it’s a privilege to have their energy on stage for your performance.Read More
Okay, let me start this by saying that you, whoever may be reading this, may very well be offended by the words I'm about to say. I do, however, think it is fair to say that anyone who preaches open-mindedness in art will agree with me. Warnings and cautions aside, let me get right into this.
True open-mindedness means hearing or seeing something you may completely disagree with but rather than immediately rejecting or objecting the ideas, you are perceptive to them. You may consider them, engage in fair conversation about them, maybe even compare them to your current set of beliefs. It's a great concept when utilized accurately, especially in the setting of a piece of art.Read More