The Fabelmans, heavily influenced by Steven Spielberg’s own autobiography, is an ode to the desire to create.
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It is not the bloodiest or goriest movie, though it has plenty of both, but what lingers about Bones and All is the sinister atmosphere and mood that it created.
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Celebrity chef Julian Slowik has become the Colonel Kurtz of the cooking world and this night is his Apocalypse Now.
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“McDonagh gives the audience enough on both sides to understand each man even if they may be more sympathetic to one side than the other in this growing conflict.”
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“If you like your satire dark and slightly twisted and you like cringe comedy, Östlund’s Triangle of Sadness is for you. But also maybe have a barf bag on hand just in case.”
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“Decision To Leave is a beautifully layered film that keeps you on your toes and invests you in the burgeoning relationship between two people who seem fated never to be together.”
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“Black Panther: Wakanda Forever is an emotional attempt to say goodbye to a beloved figure and find a path forward for the franchise.”
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“There is a lot of formulaic superhero stuff going on throughout this movie; some of it works, a lot of it does not.”
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“Women Talking is a challenging film that deals frankly with a difficult subject. It does so with grace, righteous anger, and compassion.”
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Despite a strong performance from Ana de Armas, Blonde feels like a continuation of the exploitation that dogged Marilyn Monroe’s career.
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“Is Don’t Worry Darling good enough to rise above the maelstrom or is it destined to be forever subsumed by the narrative surrounding it and become another troubled Hollywood production cautionary tale?”
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“In a career full of potential career-best performances, this might actually be Cate Blanchett’s career-best.”
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“Barbarian is a horror film that has a lot of levels and layers and twisted reveals, so it is the kind of movie you can’t get into too much depth about for fear of giving away too much.”
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“Prey has a lot going for it. It is easily the best entry in the Predator franchise since the original,”
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“Bullet Train follows a familiar action formula that is usually a lot of fun, where several quirky people or groups are vying for control of one MacGuffin, in this case a briefcase aboard a high-speed Japanese bullet train.”
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“This gem of a film is one of the most wholesome and poignant films of the year and a genuine delight.”
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“The Gray Man has some enjoyable pieces, but there is not enough in it to elevate it above anything other than a middling action movie.”
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“It may not resonate with everyone like Get Out did as an unexpected hit, or Us did as a highly anticipated anticipated follow-up, but its arguably more ambitious in its scope and scale than those previous films.”
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“Same ingredients, still a lot of laughs, just not quite mixed together to the same effect as last time.”
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“Elvis is a movie constantly teetering on the line of self-parody and overwrought drama, a total lack of self-awareness and unintentional comedy.”
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