The Great (Scenic) Work Begins with Reinvention for “Angels In America’s” Edward Pierce

The Great (Scenic) Work Begins with Reinvention for “Angels In America’s” Edward Pierce

For scenic designer Edward Pierce, the biggest challenge of bringing the much-lauded London production of Tony Kushner’s “Angels In America” to Broadway was the sheer scale of the show. The two-part, eight-hour show has over 70 locations from the realistic (an apartment, a synagogue, a doctor’s office) to the fantastical (a hallucinogenic version of Antarctica and a version of the afterlife). The London production, helmed by Marianne Elliott and designed by Ian MacNeil, was housed in a cavernous theater with plenty of wing space, a luxury not afforded in New York’s Neil Simon Theatre. Luckily, this is just the kind of challenge Pierce specializes in.

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