If the Arts Were Treated Like Sports
Anyone who knows me well knows that I am very passionate about the arts, particularly when it comes to my love of theatre, film and creative writing. I enjoy these more than anything else, I am grateful to have had the chance to study them in school, and I feel as if my life would be completely miserable without them. Anyone who knows me especially well also probably knows that I’m not exactly the biggest sports fan in the world, and whenever a big game comes on – such as the Super Bowl, just to give one example – I couldn’t possibly care any less for how it goes.
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Acting is a Job. You're Allowed to Complain About It
Let me asking you something: Have you ever had a bad day at work? Has your boss ever treated you unfairly? Have you ever become so frustrated with your job that you begin to question why you put yourself through the stress day in/day out?
I'd say most, if not all of us, have had days like this. It's normal to want to vent your frustrations about your workday.
However, I find it interesting that when actors complain about their work, instead of the "I hear that" type of replies, they're thrown the cliché "Well this is the business" or "If you can't handle it, get out" or "You don't know what stress is yet" or any other proverb that tries to disqualify an actor's frustration because it's the industry.
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“My Mom is in the Audience Tonight”
My mother recently came to see me in a production of Bye Bye Birdie. I had the opportunity to play the role of Harry MacAfee, the perplexed father of Kim and a role originated by Paul Lynde. I got to sing “Kids!” and “Hymn for a Sunday Evening” (“Ed Sullivan”) and be bombastic and utterly ridiculous.
I’ve been doing community theatre for about 7 years, but this was the first time my mother made the trek from out of state to see me. I knew that there was a strong chance she would make the trip, given that Bye Bye Birdie is one of her favorite musicals. My mother is in her 70’s and travel is sometimes difficult for her.
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Meisner and Me: The Start Of A Journey
For the past few months, I have had the honor and privilege to attend a true, rigorous acting School. Being an out of state student (Chicago Pride all the way!) New York has given me a breath of fresh air and this school has given me a new outlook on acting. I'll never forget my first day of acting class, there I am clad In all black ready to take on whatever challenge I'm faced and ready to perform! Ideas running through my mind, scenes playing in my head! This was it!
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Through Good and Bad, My Dad and I Always Had Theatre
The last show I saw with my father was The Curious Incident of the Dog in the Night-Time. It was an early October evening in 2014, and it was the first time I realized he was sick. He coughed all through dinner and the show, insisting it was just a cold, but his pallor and inability to focus indicated otherwise. He died of a rare cancer the day after Thanksgiving that year.
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Accents or No Accents
Are accents important and integral to productions? I say yes.
I recently attended a production of “Titanic” where the vocals were good, the acting good, but the accents required were barely there (if at all) and when they were present, most executed it poorly. In a show like "Titanic", accents are non-negotiable.
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When Is Broadway Going to Start Honoring Replacement Casts the Right Way?
I have the perfect Broadway trivia question for your next party. Throw out the following question to your guests,
"Name a Tony Award that was created but never awarded?"
You might get a multitude of answers but a correct one would be, Best Performance by an Actor or Actress in a Recreated Role.
Yes, back in 2005, the Tony Awards Administration created the new category. However, less than a year later, it was removed and never awarded.
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Standing Ovations Should Be Reserved for Productions That Deserve It
What began as a casual thought about standing ovations these days, became, as I sat down to write, something of a tricky process, because standing ovations are a highly subjective response to theatrical stimuli; individual to the person on their feet. I watched a performance recently which, in my opinion, was very well done, although the script (again, in my opinion) did not lend itself to a standing ovation. Heartfelt, though seated applause, and quiet reflection on what's just been seen, perhaps. Yet all around me, people were getting to their feet to applaud in what seems these days to have become a meaningless, borderline trivial gesture. Something you're expected to do when a show is over.
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The 5 Most Underrated Theatre Colleges for 2018 - West
Here at OnStage Blog, we spend months compiling, researching and comparing college theatre programs to come up with what we feel are the very best colleges in the country. While names like Tisch, Juilliard, Emerson and Baldwin Wallace get plenty of attention, there are a ton of schools out there with incredible programs that deserve more.
So we wanted to highlight some of these underrated programs. Whether they are programs that have amazing facilities and curriculum or have a ton of value when it comes to their cost, these are schools that are doing tremendous things in theatre that might not be known on a national level.
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