With Les Moonves Gone, the Tonys Can Have an Exit Strategy from CBS

With Les Moonves Gone, the Tonys Can Have an Exit Strategy from CBS

Years ago, then CEO of CBS Les Moonves told NY Post’s Michael Riedel that as long as he’s at CBS, so will the Tony Awards. This quote came at a time when the ratings were in the basement compared to other award shows. However, a statement like that from the guy who ran the network was certainly a sigh of relief.

But now Moonves is gone due to the many accusations of sexual misconduct. Which means that the Tony Awards’ biggest network champion is gone. And the ratings are still in the proverbial toilet.

So what does this mean for the future of the Tonys on CBS?

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The Issue Over Dimming Lights for Marin Mazzie is Why We Need to Stop Dimming Lights

The Issue Over Dimming Lights for Marin Mazzie is Why We Need to Stop Dimming Lights

Following the tragic passing of Marin Mazzie; it’s been announced that the “committee” at the Broadway League has decided to have only six theatres dim their lights in her honor.

Besides the fact that they announced the news in an incredibly cold press release, starting it off with the phrase “The Committee of Theatre Owners has decided to dim the lights” is the type of Broadway pretentiousness that makes my stomach turn.

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Body Shaming Apparently Isn't Beneath NY Times Theatre Criticism

Body Shaming Apparently Isn't Beneath NY Times Theatre Criticism

Last year, Chicago Sun-Times theatre critic, Hedy Weiss, was rightfully criticized for her review of Mamma Mia where when mentioning the costume design, she said the following: 

"Theresa Ham’s character-defining costumes make the most of the many “real women” figures on stage, just as the gold and silver spandex outfits outline the perfect bodies of the terrific chorus dancers"

Obviously, the fact that Weiss made a point to emphasize "real women" figures as opposed to the "perfect bodies" of the dancer, was met with harsh backlash and accusations of body shaming. 

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Why We Need "Skintight"

Why We Need "Skintight"

This past Sunday I had the amazing pleasure of seeing Skintight. It's the new Off-Broadway play written by Joshua Harmon (Bad Jews, Significant Other). It follows Jodi Issac a middle-aged woman whose marriage falls apart after her now ex-husband leaves her for a younger woman. Left to pick up the pieces she visits her father for a weekend only to find her father is in a relationship with a much younger man who may or may not have secrets of his own. 

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If the New York Post's "My Fair Lady" Piece Felt Like a Hit-Job, It's Because it Was

If the New York Post's "My Fair Lady" Piece Felt Like a Hit-Job, It's Because it Was

on July 5th. You can click here to read it. 

All caught up? Good. Hopefully, as you were reading it, a couple of questions began to form. But one that should definitely be raised is, "Was this article necessary at all?"

I understand Reidel's methodology here. It's not every day one gets permission to publish extremely-candid quotes from one high-profile star bashing another. So clearly, from Reidel and the Post's point of view, there is a story to tell and clicks to get. 

But from my point of view, the whole article feels like a well-orchestrated hit on a show's leading lady by portraying her as either a selfish diva or a fragile performer, incapable of meeting the demands of a lead role on Broadway. Even if either were true, the fact that this has gone public is wrong and is certainly a violation of the unwritten rules of being in a Broadway cast: You don't air your dirty laundry in public, especially not to the press, especially not to Michael Riedel.  

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My Experience at the “Tenth Planet”: An Exclusive Look at the Planet Connections Theatre Festivity

My Experience at the “Tenth Planet”: An Exclusive Look at the Planet Connections Theatre Festivity

#TenthPlanet

Normally, if someone were to use this hashtag, one might think that it’s some sort of Doctor Who reference. (At least, that’s what I noticed later on, after I started using it, myself.) This year, however, this hashtag has taken on a whole new meaning, in reference to the 10th anniversary season of the Planet Connections Theatre Festivity, New York’s premiere socially conscious and eco-friendly theatre festival, founded a decade ago by arts professional Glory Kadigan, and led this year by Producing Artistic Director Shaun Peknic, who is at the helm of one of the most passionate and enthusiastic festival staff teams you’ll find in New York, which his overseeing dozens of bold new shows from various genres.

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