5 Ways to Keep Your Stage Manager Happy

5 Ways to Keep Your Stage Manager Happy

The ultimate cog behind running a show is the stage manager. From beginning to end they keep everything and everyone in order so that each show is the best you can give. They are problem solvers and highly organised individuals, but rub them the wrong way and the wing tension could be cut with a knife. Here are 5 ways to keep your stage manager happy...

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Ghost Lights: History & Theatre

Ghost Lights: History & Theatre

They say that those who don’t study history are doomed to repeat it, but is it always doom? Understandably, the phrase most commonly refers to the parts of history regarding violence, disease, and chaos as doom, but what about the artistic side of history? Often in the classroom, we study the violent conquests and political takeovers of empires all over the world, but our history books often fail to mention the brilliant, lively, and extensive nature of historic culture.

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My Experiences as an Undergraduate Dramaturg

My Experiences as an Undergraduate Dramaturg

I’ll be honest. I had no clue what the heck a dramaturg actually was until I started my first year of undergrad. The closest I had ever gotten to an answer was from that episode of SMASH (remember that show?) where Julia Houston (played by Debra Messing) is assigned a dramaturg named Peter to help her fix the horrendous book for Bombshell. The dramaturg (played by Daniel Sunjata) was described as a “script doctor” and was incredibly invasive on Julia’s process, arguing with her every step of the way.

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Please Hang Up Your Costume

Please Hang Up Your Costume

If your school or community theatre program are like the one in which I assist with, you probably find yourself renting your costumes for the majority of your productions. As it goes, you spend thousands of dollars renting beautiful costumes for your young cast members to wear to help bring their characters to life and provide the students a better theatre experience. 

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Every Actor Should Try Stage Management

Every Actor Should Try Stage Management

Going into college, I knew that, although my heart lies onstage, I wanted to try everything that I could that involved theatre. My department is perfect for this: all performance focuses must audition for every show starting your first semester, and no matter your focus, you must be active in at least one production each year. We are required to submit crew forms stating what technical elements you are interested in, and they assign you positions based on those roles.

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We Need More Women on The Technical Side of Things

We Need More Women on The Technical Side of Things

Let’s face it. Most aspects of theatre are male-dominated, including most aspects of design, directing, and honestly even acting. But I think that it’s time we talk about something that rarely gets brought up- the lack of women in technical aspects such as carpentry, electrics, and sound. Last year on Broadway, only 4% of Broadway electricians were women, while 11% of sound technicians were female and 0% (yes, that’s right, 0%) of carpenters were women.

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Why We MUST Respect the Tech Crew

Why We MUST Respect the Tech Crew

I rarely hear anything more ignorant than, “All the techies do is push buttons and get annoyed with us.” It’s so wrong and just plain horrible.

I will admit to having underestimated what it takes to be a theatre technician in the past. Not only the skill, but the amount of sheer drive, love for the craft, and patience that the job requires are astounding to me.

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Setting Up My Prompt Book

Setting Up My Prompt Book

When a production is complete, and you are on the technical side of the table, there are a number of ways you can organize all of your work to have it ready for future employers or just as a way to refer back to it. I try to give myself a ritual at the end of each production I work on as far as organizing my scripts and paperwork. I usually am the role of the Stage Manager on most shows, so there are a few things I believe in doing to keep things organized during the show and post-show. Even before a show begins, I always start by buying and building my binder. It can be any kind of binder, expensive or not. I try to keep them on the inexpensive side because I buy many throughout the year depending on how many shows I work on. Every Stage Manager needs a binder. I even go as far as trying to pick a color that is relevant to the show itself.

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Documenting My Story as an Autistic Playwright

Documenting My Story as an Autistic Playwright

Those who know me best know me as a playwright, screenwriter, self-producing artist, reviewer, blogger, and occasionally as an actor and poet, among other things. They know that on the rare occasions when I’m not writing and producing, I’m most likely to be found scrolling through my laptop while drinking way too much coffee. Or they may know that even to this day, I’m a lifelong fan of The Lord of the Rings, Star Wars, Batman, and Harry Potter, among other things.

Chances are, they also know me as someone who has struggled with anxiety, episodes of depression, and an autism spectrum disorder once commonly referred to by doctors as Asperger’s syndrome.

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Being a Working Playwright at 100: An Interview with Playwright Paul Manuel Kane

Being a Working Playwright at 100: An Interview with Playwright Paul Manuel Kane

It’s often said that it’s never too late, and that you’re never too old, to pursue your goals and make your dreams come true. However, as many artists find, it doesn’t get any easier as you get older, as it always seems that producers are consistently looking for the next “big thing”. Yet if there’s any living playwright who seems to defy that notion today, it’s Paul Manuel Kane, whose full-length play My Name is Sam recently premiered at Manhattan Repertory Theatre in February 2019, and is still hard at work on writing new plays to this day…just after turning 100 years old!

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Local Theatre Costumers are Criminally Underappreciated

Local Theatre Costumers are Criminally Underappreciated

We all know the most central creative roles in any theatrical production. There is the playwright, who is the prime artist responsible for creating a show to produce. There is the director, who – after reading the script and interpreting it – creates his or her own unique vision for the show, and then is responsible for executing it. Finally, there are the actors, who bring the show to life through the characters – some of which may be vastly different from their real-life personas – that they each portray during the performance.

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The History of the Ghost Light

The History of the Ghost Light

It’s usually known as an end of night procedure. You might hear people say, “hey don’t forget to put the ghost light on” before they leave the theater for the night. A night would not be complete without lighting it. So many have asked through the years what is the purpose of the ghost light in theaters? Why do we need to do this? I’ve often asked that question myself in my early theatre days and it wasn’t until more recently that I really grasped it’s true purpose other than it being there for safety reasons.

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Respect for Sound Design

Respect for Sound Design

My interest in sound design probably comes from the radio. I’ve also worked as a radio dramatist. Sound effects form one of the three principal ingredients of sound in theatre, film, radio, and television, the other two being dialogue and music.

Unlike film or radio, theatre is an ancient medium. It used sound effects long before electronic or mechanic recording existed. We suspect that when Lear walked the stormy heath, someone backstage was rattling sheets to simulate thunder.

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Redesigning “Rent” – A Talk with “Rent: Live” Production Designer Jason Sherwood

Redesigning “Rent” – A Talk with “Rent: Live” Production Designer Jason Sherwood

Long before Jason Sherwood was asked to design the set for Fox’s upcoming “Rent: Live,” he was a fan of the show. He saw “Rent” on Broadway twice; once from the back of the mezzanine and once in the front row as a recipient of a $20 rush ticket. Both times he was “blown away by the energy exploding off the stage” and touched by the boundary-pushing musical. “As a gay person, this was the first show I'd ever seen where two people of the same sex sang a love song to each other,” he remembered, “That visibility and that kind of storytelling was handled so beautifully and so effortlessly.”

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