“Tim the Toolman Taylor”, MacGyver, Mina Starsiak, and Karen E. Laine, what do they all have in common? They build or repair things. What does this have to do with theater? He or she is somebody every theater group and in particular, a stage or tech crew needs.Read More
The prop fairies have been and delivered you a whole bunch of props to play with in your show, but before you lose yourself in the excitement of figuring out which item is for what scene, let me impart some words of advice. Here are 10 ways to not piss off your props teamRead More
As a director who works primarily with children and teens, it is my job to shape them into educated and experienced performers as well as individuals. Too many times, I have been asked the question, “are we going to be performing on a real stage?” Which begs the question, what is a real stage?Read More
They say that those who don’t study history are doomed to repeat it, but is it always doom? Understandably, the phrase most commonly refers to the parts of history regarding violence, disease, and chaos as doom, but what about the artistic side of history? Often in the classroom, we study the violent conquests and political takeovers of empires all over the world, but our history books often fail to mention the brilliant, lively, and extensive nature of historic culture.Read More
I’ll be honest. I had no clue what the heck a dramaturg actually was until I started my first year of undergrad. The closest I had ever gotten to an answer was from that episode of SMASH (remember that show?) where Julia Houston (played by Debra Messing) is assigned a dramaturg named Peter to help her fix the horrendous book for Bombshell. The dramaturg (played by Daniel Sunjata) was described as a “script doctor” and was incredibly invasive on Julia’s process, arguing with her every step of the way.Read More
If your school or community theatre program are like the one in which I assist with, you probably find yourself renting your costumes for the majority of your productions. As it goes, you spend thousands of dollars renting beautiful costumes for your young cast members to wear to help bring their characters to life and provide the students a better theatre experience.Read More
Going into college, I knew that, although my heart lies onstage, I wanted to try everything that I could that involved theatre. My department is perfect for this: all performance focuses must audition for every show starting your first semester, and no matter your focus, you must be active in at least one production each year. We are required to submit crew forms stating what technical elements you are interested in, and they assign you positions based on those roles.Read More
Let’s face it. Most aspects of theatre are male-dominated, including most aspects of design, directing, and honestly even acting. But I think that it’s time we talk about something that rarely gets brought up- the lack of women in technical aspects such as carpentry, electrics, and sound. Last year on Broadway, only 4% of Broadway electricians were women, while 11% of sound technicians were female and 0% (yes, that’s right, 0%) of carpenters were women.Read More
I rarely hear anything more ignorant than, “All the techies do is push buttons and get annoyed with us.” It’s so wrong and just plain horrible.
I will admit to having underestimated what it takes to be a theatre technician in the past. Not only the skill, but the amount of sheer drive, love for the craft, and patience that the job requires are astounding to me.Read More
When a production is complete, and you are on the technical side of the table, there are a number of ways you can organize all of your work to have it ready for future employers or just as a way to refer back to it. I try to give myself a ritual at the end of each production I work on as far as organizing my scripts and paperwork. I usually am the role of the Stage Manager on most shows, so there are a few things I believe in doing to keep things organized during the show and post-show. Even before a show begins, I always start by buying and building my binder. It can be any kind of binder, expensive or not. I try to keep them on the inexpensive side because I buy many throughout the year depending on how many shows I work on. Every Stage Manager needs a binder. I even go as far as trying to pick a color that is relevant to the show itself.Read More
Those who know me best know me as a playwright, screenwriter, self-producing artist, reviewer, blogger, and occasionally as an actor and poet, among other things. They know that on the rare occasions when I’m not writing and producing, I’m most likely to be found scrolling through my laptop while drinking way too much coffee. Or they may know that even to this day, I’m a lifelong fan of The Lord of the Rings, Star Wars, Batman, and Harry Potter, among other things.
Chances are, they also know me as someone who has struggled with anxiety, episodes of depression, and an autism spectrum disorder once commonly referred to by doctors as Asperger’s syndrome.Read More
It’s often said that it’s never too late, and that you’re never too old, to pursue your goals and make your dreams come true. However, as many artists find, it doesn’t get any easier as you get older, as it always seems that producers are consistently looking for the next “big thing”. Yet if there’s any living playwright who seems to defy that notion today, it’s Paul Manuel Kane, whose full-length play My Name is Sam recently premiered at Manhattan Repertory Theatre in February 2019, and is still hard at work on writing new plays to this day…just after turning 100 years old!Read More
We all know the most central creative roles in any theatrical production. There is the playwright, who is the prime artist responsible for creating a show to produce. There is the director, who – after reading the script and interpreting it – creates his or her own unique vision for the show, and then is responsible for executing it. Finally, there are the actors, who bring the show to life through the characters – some of which may be vastly different from their real-life personas – that they each portray during the performance.Read More
It’s usually known as an end of night procedure. You might hear people say, “hey don’t forget to put the ghost light on” before they leave the theater for the night. A night would not be complete without lighting it. So many have asked through the years what is the purpose of the ghost light in theaters? Why do we need to do this? I’ve often asked that question myself in my early theatre days and it wasn’t until more recently that I really grasped it’s true purpose other than it being there for safety reasons.Read More
My interest in sound design probably comes from the radio. I’ve also worked as a radio dramatist. Sound effects form one of the three principal ingredients of sound in theatre, film, radio, and television, the other two being dialogue and music.
Unlike film or radio, theatre is an ancient medium. It used sound effects long before electronic or mechanic recording existed. We suspect that when Lear walked the stormy heath, someone backstage was rattling sheets to simulate thunder.Read More
Long before Jason Sherwood was asked to design the set for Fox’s upcoming “Rent: Live,” he was a fan of the show. He saw “Rent” on Broadway twice; once from the back of the mezzanine and once in the front row as a recipient of a $20 rush ticket. Both times he was “blown away by the energy exploding off the stage” and touched by the boundary-pushing musical. “As a gay person, this was the first show I'd ever seen where two people of the same sex sang a love song to each other,” he remembered, “That visibility and that kind of storytelling was handled so beautifully and so effortlessly.”Read More
I still love to act in shows, and I still love to stage manage, props, sound, being a Jack of all trades, if you will. But there is a lot of reward with being a lighting designer. After all, they’re the reason the audience can see what’s going on, and why the actors aren’t falling off the stage or in the orchestra pit.
So, if you’re interested in aspects of light designing, I highly recommend getting in touch with your community theatre. My local theatre Associate Artistic Director was gracious enough to spend time giving me classes based on light designing. I find joy in being able to find something I love doing, and showing people some fantastic work from that talent.Read More
Into the Woods.
One of my favorite shows of all time. When our theatre decided to do it, I knew I would audition, but before that I said I would be the properties designer. I knew the props would be a challenge, with Rapunzel’s wig and the harp and the million other things necessary for the show.
In volunteering for that position; however, I kind of forgot about one thing.
How the hell was I going to do the cow?Read More
The acting ability of the people I know and work with on a daily basis blows me away. I found myself watching Heathers and I thought “Wow, JD is a jerk” but then I almost immediately remembered: “oh right, that’s Bambi, he’s the nicest person ever!” Even as an assistant stage manager on The Resistible Rise of Arturo Ui, I would sometimes be listening to the final speech of our leading man (the title character, who is supposed to be like Hitler), I would have chills listening to him. But twenty minutes later, back in street clothes he was the nicest guy, giving everyone compliments about the performance.Read More
With theatre comes writing. You don’t have a story until someone starts writing one. I love writing, and I’ve always found it to be easier to put my feelings on to paper rather than try to articulate them. Some of the greatest stories ever are from books, movies, and theatre. I’ve always found the process of writing to be fascinating and such a complex concept. It’s something I know I will always be drawn to.Read More