Posts tagged Angelica Potter
Review: "The Merry Wives of Windsor" at Shakespeare and Company

Unlike many of William Shakespeare's plays, the audience didn't need to know much about "The Merry Wives of Windsor" or read the script prior to attending in order to fully enjoy the performance. The cast, directed by Kevin G. Coleman, had the audience chuckling within minutes of starting the show making it clear that the next two hours of this outlandish farce would be nothing short of entertaining.

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Review: Shakespeare & Company presents Terrence McNally’s Mothers and Sons

Having premiered on Broadway in 2014, Terrence McNally’s incredible drama Mothers and Sons is now playing on the Elayne P. Bernstein Theatre stage at Shakespeare and Company in the Berkshires. It is a timely play about the complexity of the relationship between a mother and her son. McNally skillfully crafts characters that seem all too familiar and yet we in the audience don’t see how events will unfold as we become engrossed in each scene. We laugh at the uncomfortable jokes they make in their effort to ease the tension that is building. We gasp at the harshness and bluntness of the things they say. We tear up when they break down in unbearable pain. We see our family members, our friends and our coworkers in the various facets of these characters. In this play about change, personal growth, acceptance of others and, without a doubt, love, we see a glimmer of hope and compassion come from the youngest character; who in his innocence and kindness, shows us that good can come from bad and love can be shown in the smallest of ways. 

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Review: Simon Stephens’ Heisenberg at Shakespeare & Company

Written by Simon Stephens this two-person play features talented actors Tamara Hickey as the talkative Georgie Burns and Malcolm Ingram as the mature and compassionate Alex Priest. Set in present-day London, we watch as the relationship between two unlikely companions changes over the course of six scenes. A common thread that connects them is the loneliness they feel because they have lost the people who meant the most to them. Georgie is a vibrant, spirited woman in her forties who mistakenly kisses the neck of Alex in a busy train station thinking he was someone else. Alex, poised, quiet, and seventy-five, becomes entangled in Georgie’s life, but it might just be the excitement his solitary life needed.

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Review: As You Like It at Shakespeare & Company

William Shakespeare’s comedy As You Like It is a story of love and the adventurous journey towards new beginnings. Duke Senior has been banished from court by his younger brother Duke Frederick. Frederick then banishes his niece Rosalind who has grown close with his daughter Celia. The pair attend a wrestling match where Rosalind first lays eyes on Orlando whom she quickly becomes enamored with. Orlando flees from his older brother Oliver who is threatening his life and withholding his rightful inheritance from their father Sir Rowland. He ends up in the Forest of Arden, where Duke Senior, Rosalind and Celia have also found sanctuary. But as we see in the play, when characters take on a foreign persona and live in disguise happily ever after doesn’t come as quickly as they’d like. 

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Review: Pure entertainment now plays on The Winnipesaukee Playhouse stage with their production of Mamma Mia!

It was not a perfect performance, but live theatre is rarely all together perfect and that is one reason why people love it so much. It’s fresh, exciting and anything can happen; just like life. The audience couldn’t get enough and stood loudly applauding not only during curtain call, but again through and to the end of the encore. Direct quotes from the audience after the show: “Wow”, “Excellent”, “So much fun”, “I loved it” and many more positive comments. If you need a break from a reality of stress and strife, go see this immensely enjoyable production.

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Review: An Engrossing Production of August Strindberg’s "Creditors" Now Plays at Shakespeare & Company

August Strindberg’s tragic comedy Creditors is a fast-paced, psychologically intense look at life and the cost of relationships. In this adaptation by playwright David Greig, three characters must face their past choices, and in doing so come to the realization that their present state is a result of those choices. Through deception they come to realize the debts they owe others and the unfathomable cost of love. Strindberg, in his naturalistic style, is a master of balancing the darkness of a dramatic psychological thriller and an authentic, unapologetic comedy. The three veteran actors (Jonathan Epstein, Ryan Winkles and Kristin Wold) who have taken on this play under the incredible direction of Nicole Ricciardi have expertly captured each facet of their multidimensional characters. In doing so, they grabbed the audience’s attention from the onset and held it to the end.

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Review: "A Doll's House Part 2" at Barrington Stage Company

Henrik Ibsen's A Doll's House premiered in Denmark in 1879. Over one hundred and thirty years later, A Doll's House Part 2 by writer Lucas Hnath, brings us back to Norway and the Helmer house where Nora slammed the door and left her family and life behind her. Premiering on Broadway in 2017, this play begins fifteen years Nora left her family. Directed by Joe Calarco, this emotional roller coaster of a play is performed by four talented actors who are so deeply invested in their characters it is easy for the audience to get wrapped up in the story.

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Review: A unique production of Macbeth now plays at Shakespeare & Company

Written by William Shakespeare, Macbeth, or as most theatre folks refer to it, The Scottish Play, is a psychological and tragic tale of blind ambition and destructive, consuming power. It is a play full of malicious intentions and gruesome murders. Fantastically directed by the Obie Award-winning Melia Bensussen, who was inspired by the ghost stories of Edgar Allen Poe, this production with its intriguing artistic choices made it unique, unlike many of the others I have seen. In this rendition, Macbeth’s ambition and belief in his imagination lead to his destruction more-so than the witches and supernatural forces who, in other productions, are so often blamed. He mercilessly pursues his dreams and desires.

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Review: Boeing Boeing at The Winnipesaukee Playhouse

The outlandish farce Boeing Boeing now plays on The Winnipesaukee Playhouse stage in Meredith, New Hampshire. Originally written by Marc Camoletti and translated by Beverley Cross and Francis Evans, it is the story of Bernard, a Parisian bachelor played by William Wilder, who has, through meticulous calculations, gotten himself intertwined with three fiancés. There’s Gloria, an American air hostess played by Rebecca Tucker, Gabriella, an Italian air hostess played by Molly Parker Myers, and Gretchen, a German air hostess played by Suzanne Kimball. The essential factor that keeps all his fiancés from ending up in their Paris flat at one time is the fact that they all work for different airlines and have different routes around the world.

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Review: Miss Julie sets the bar high for the Summer Season at The Winnipesaukee Playhouse

Directed by Matt Cahoon, this US Premiere production of Howard Brenton’s new adaptation of August Strindberg’s 1888 play Miss Julie invites the audience into the kitchen of a home in Sweden. It tells the story of Julie, lady of the house, Jean, her father’s valet, and Kristin, the house cook and Jean’s fiancé. It is a story of lust, ambition and a desire to break through the barriers of class. When Julie and Jean give in to the building sexual tension between them, the unforeseen consequences are catastrophic.

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Review: The Nora Theatre Company presents Les Liaisons Dangereuses

Now playing at Central Square Theater (Cambridge, MA) is Les Liaisons Dangereuses presented by The Nora Theatre Company. The novel, of the same name, was written in 1782 by Pierre-Ambroise François Choderlos de Laclos. Two hundred years later Christopher Hampton penned the play that would go on to premiere at The Royal Shakespeare Company in 1985. While the story is familiar and has been produced a myriad of ways, in this version all ten characters, including six women, are portrayed by an all-male cast. Director Lee Mikeska Gardner first did this play with an all-male cast when she directed a production in Washington, D.C. in 2005 and wanted to direct a similar production here in Boston over a decade later. This concept is a new, intriguing way to tell an old story and I’m sure while some are confused by it, others are curious to see how it would play out on stage. 

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Review: Shakespeare & Company opens its 2018 Summer Season with Morning After Grace

Shakespeare & Company begins its season with the New England Premiere of Morning After Grace by Cary Crim. Directed by Regge Life, this new comedy explores the themes of loss, of love and of second chances. Crim carefully constructs a play that tackles some heavy subjects displaying the full extent of human emotions and the need for acceptance and love. What makes this play enjoyable to audiences is how Crim pairs very raw and intense moments with those of realistic and relatable humor. Life and his cast authentically invite the audience to journey with them on the path to recovery and to discover how to be truthful to themselves.

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Review: ‘True West’ Hilariously Kicks Off Hub Theatre Company of Boston’s 6th Season

‘True West’ was written by Sam Shepard in 1980, and yet his understanding of family dynamics and the volatility of stage and screen producers, allows this play to burst from the page decades later when his characters are portrayed with boundless energy and charisma. What makes them all the more believable is when passionate, seasoned actors are partnered with a visionary director to present a realistic look at a tumultuous relationship. That is what I have found with Hub Theatre Company of Boston’s production of ‘True West’.

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