Currently playing at London’s Pleasance Theatre, Freeman is a passionate, emotive and high-energy production which uses an impressive range of theatrical modes to tell interweaving stories about the lives of people of colour through the years.

Currently playing at London’s Bunker Theatre, Eris follows the story of Seán (Cormac Elliot), as he tries to find the most disruptive boyfriend possible to bring to a family wedding. As he struggles to move on from his last relationship, relying on the help of his friend Callista (Ashling O’Shea), Seán confronts family, prejudice … and Tinder.

Currently playing at London’s Finborough Theatre, Square Rounds is a clever, quirky play which is for the most part very enjoyable. The first act is a lot stronger than the second, changing with more ease between the comedic and the sinister elements of the show. The second act, conversely, seems bogged down with the historic details of this story’s more tragic elements, and some of the show’s character is lost towards the end.

The Iris Theatre's production of The Tempest, playing at St Paul’s Church in Covent Garden (London's West End), is an enjoyable adaptation of Shakespeare's play, but one which, at times, feels a bit too cautious.

The Gulf, by Audrey Cefaly, is a well-written and deftly acted piece about the strained relationship between two women. The play is suitably intimate, and the characters very believable, but overall the piece lacks energy and feels underwhelming.

The Rivals, currently playing at Newbury's Watermill Theatre, is an easy-to-watch, light and enjoyable comedy. Set in Bath in 1775, The Rivals follows the story of Lydia Languish, who falls in love with one young man (Beverly), and rejects another (Captain Absolute) … without realising that they are, in fact, the same person. Cue a whole heap of mistaken identity.

The Dog Beneath The Skin, originally written by W. H. Auden and Christopher Isherwood and now playing at London's Jermyn Street Theatre, is scattered with enjoyable moments but, overall, misses the mark. The play does sometimes fall into good a rhythm, but it's never long before something jars.

2018 marks the centenary of the year in which certain British women were given the right to vote. In celebration of this, Suffragette City, an interactive experience, has been created by the National Trust (inspired by documents from The National Archives), and can currently be found in the heart of London.

Electra, currently playing at London's Bunker Theatre, is John Ward's punk-rock, modernised retelling of a Greek myth in which a family tears itself apart in a savage fight for power, and revenge. Electra is a small production, simple in many ways, but tense, convincing and atmospheric.