When a Show Starts to Really Work After Performances Begin

So we’re backstage at the conclusion of performance #10 in a 12-show run of Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery, produced by Big Dawg Productions at the Cape Fear Playhouse down here in Wilmington, NC. We’re in the single, narrow dressing room that accommodates all five of us and our two-person backstage crew, changing back into street clothes.

J. Robert Raines, who plays Doctor Watson, is in the midst of changing his shirt, with a broad smile on his face.

“That,” he says, “was just so much fun!!”

Amidst murmurs of agreement all around, acknowledging that it had taken us a while to reach a performance level that was “fun” for all of us, we stumble across one of the harsh realities of community theater; that by the time everybody literally gets their act together, the run is over.

Community Theatre, The Acting LifeChristopher PetersonNovember 15, 2018Skip Maloney

A Community Theater Board of Directors' Letter to Santa...

Dear Santa,

We, the Board of Directors of Anywhere, USA's Players' Club Community Theater would like, this year, to make something of a special request. We've been quite happy over the past few years to have a few of our technical requests granted. The digital light board is working fine, and those new fixtures (I think the 'techies' call them 'instruments') just make everything on stage look great. I'm not sure our patrons are noticing, but we are.

EditorialChristopher PetersonDecember 22, 2017Skip Maloney