Director Miles Potter and the company’s naturalistic approach and vision of this production is critical for a true appreciation of O’Neill’s 20th century American masterpiece tragedy. Kim Solga, professor of Theatre Studies at London, Ontario’s Western University, adds to this understanding of naturalism with the term geopathological drama (I never heard it before) in the Playbill analysis. Ms. Solga writes the Tyrone country cottage, itself, seems to be killing each member of the household slowly.
And right she is on this account.
Read More