If Broadway uses stunt casting to sell tickets, why wouldn’t the Tonys use it to sell a broadcast?

Chicago theaters are leaving the Jeff Awards behind, and the real story is not the backlash. It’s the judgment that caused it.

Broadway doesn’t need every new musical to be based on a movie, TV show, or some other piece of pre-sold content. But when tickets cost this much, originality starts to look like a tougher sell.

A theatre professor who is also a politician should not feel unusual, and yet it still does. Amy Roeder’s story is a great reminder that theatre training may prepare people for public service more than we give it credit for.

Spokane Civic Theatre has cancelled The Hunchback of Notre Dame after controversy over the production’s casting.

Harbour Lights Theatre has announced its summer production of Dear Evan Hansen, starring the theatre’s artistic director as Evan. For some, this renews a familiar question: should the person running the theatre also be taking the lead in a show?

The production, starring Tom Cruise himself in a strictly limited four-week run, promises to redefine immersive theater by taking place largely outside the theater itself.

Funny how stories about Broadway being too expensive always seem to surface when unions are negotiating. Still, that doesn’t mean the financial concerns aren’t real.

An Illinois community theatre is facing serious questions after resurfaced anti-LGBTQ posts from its executive director, including comments targeting nonbinary people.

A live Broadway revival is not the same thing as a midnight movie screening.

Over 50 members of the Michigan Theatre have filed a lawsuit seeking the removal of two board leaders, alleging abuse of power, dishonest conduct, and a breakdown of trust.

A look at how grief can pull someone away from theatre and the arts, and what it means to slowly find your way back.