Harbour Lights Theatre has announced its summer production of Dear Evan Hansen, starring the theatre’s artistic director as Evan. For some, this renews a familiar question: should the person running the theatre also be taking the lead in a show?

The production, starring Tom Cruise himself in a strictly limited four-week run, promises to redefine immersive theater by taking place largely outside the theater itself.

Funny how stories about Broadway being too expensive always seem to surface when unions are negotiating. Still, that doesn’t mean the financial concerns aren’t real.

An Illinois community theatre is facing serious questions after resurfaced anti-LGBTQ posts from its executive director, including comments targeting nonbinary people.

A live Broadway revival is not the same thing as a midnight movie screening.

Over 50 members of the Michigan Theatre have filed a lawsuit seeking the removal of two board leaders, alleging abuse of power, dishonest conduct, and a breakdown of trust.

A look at how grief can pull someone away from theatre and the arts, and what it means to slowly find your way back.

Only five people attended opening night of a high school’s play. Days later, hundreds showed up for the final performances. A look at the story, the turnaround, and why one painful night should not discourage these students from pursuing the performing arts.

Playwrights Horizons has settled its lawsuit over a race-based ticket discount, and while I agree it would have been a very tough case for the theater to defend, I keep coming back to one question: why did this need to become a lawsuit at all?

An Atlanta-based theatre company has apologized for controversial language in an actor’s bio in its Come From Away playbill after concerns from members of the Jewish community.

I read a Reddit post from a former theatre student wondering if they were wrong for “getting” their teacher fired, and honestly, it raised a bigger question about guilt, accountability, and how much responsibility students carry for adult decisions.

Timothée Chalamet was absolutely wrong to dismiss opera and ballet the way he did. The absolutely matter. But if we’re being honest, they’re also struggling in ways other sectors are not.