Review: "Birds of a Kind" at Stratford Festival

Review: "Birds of a Kind" at Stratford Festival

Just over three hours long, ‘Birds of a Kind’ demanded close attention be paid as it was easy to get lost if you don’t have a background in Middle East Palestinian conflicts. My attention wandered as so much information was given that I began to lose track of specific relationships the characters had with each other.

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Review: "Nathan The Wise" at Stratford Festival

Review: "Nathan The Wise" at Stratford Festival

Nathan the Wise’ is a play that requires at least two or more viewings for its rich subtext of the exploration of three faiths. If anything, for a twenty first century audience, the play allows us hopefully to open that discussion of trying to find a common humanity and element that exists between all of us.

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Review: "Henry VIII" at Stratford Festival

Review: "Henry VIII" at Stratford Festival

As we left the auditorium, I heard some audience members behind me say this production was quite a historical lesson.  A young girl and her father sat next to me.  She turned to him at the end and said, “I understood a bit of what was going on”.  I turned to both and thanked them appreciatively for their support of live theatre and for learning a bit of history.

You should come to Stratford and learn a bit about the history of the Tudors too.

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Review: "Bloom: A Rock ‘n’ Roll Fable" by 4th Line Theatre

Review: "Bloom: A Rock ‘n’ Roll Fable" by 4th Line Theatre

Beau Dixon asks some important questions in his Playwright Notes: ‘What does it take to reach success?’; ‘How do you determine success?’ and ‘What do you sacrifice to get you to the next level of success?’ Three extremely important questions which I wished we could have discussed with the playwright and the director post performance. In any event, ‘Bloom: A Rock ‘n’ Roll Fable’ is a worthy evening of theatrical entertainment.  Get to see it if you can.

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Review: "The Black Drum" by Deaf Culture Centre

Review: "The Black Drum" by Deaf Culture Centre

I attended The Young Centre for the Performing Arts in Toronto’s Distillery District for the world premiere of the first production in the history of Canadian theatre, specifically musical theatre, of Adam Pottle’s ‘The Black Drum’, produced by The Deaf Culture Centre. After viewing a vibrant opening night production, I predict the deaf culture voice is one which will continue to make its mark within Canadian culture and particularly in the arts community.

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Review: "Little Shop of Horrors" at Stratford Festival

Review: "Little Shop of Horrors" at Stratford Festival

We need The Stratford Festival’s production of Howard Ashman and Alan Menken’s musical sci-fi spoof right now.  A little wacky, escapist fun is good for the soul and, under the supreme direction and choreography of Donna Feore and sublime music direction of Laura Burton, this ‘Little Shop’ takes us away for two- and a-bit hours to be thoroughly entertained from the score’s first note.

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Review: "Billy Elliott: The Musical" at Stratford Festival

Review: "Billy Elliott: The Musical" at Stratford Festival

Rumour buzzed about Stratford that Sir Elton John was to have been in town for the opening of ‘Billy Elliott’.  He wasn’t present, but what an exhilarating feeling instead in seeing a young performer’s talent soar past the roof of the Festival Theatre. Look out, world, there is Nolen Dubuc who is on his way in becoming a Canadian performer to hit the stages of North America and the world.

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Review: "Tchaikovsky: Pro et Contra- A ballet by Boris Eifman"

Review: "Tchaikovsky: Pro et Contra- A ballet by Boris Eifman"

So, how would I describe my first visit to the ballet? Gorgeous and vibrant pictures are created all the time as the music lends to the unfolding of the story. The costumes and sets are a wondrous sight to behold and I wanted to marvel for a few minutes longer looking at them, but I had to focus on the story and the choreography.

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Review: ‘Welcome to My Underworld’ at the Tankhouse Theatre

Review: ‘Welcome to My Underworld’ at the Tankhouse Theatre

The Tankhouse Theatre in the Young Centre for the Performing Arts, the Distillery District, is home to Rare Theatre Company’s ‘Welcome to My Underworld’, a collection of voices of individuals of varying abilities wanting our attention to several modern-day social justice issues, each of them relevant and pertinent. These are performers and writers who travel to the underworld to discover and find their true voices.

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Review: "Old Stock" at the Tarragon Theatre

Review: "Old Stock" at the Tarragon Theatre

Playwright Hannah Moscovitch’s project was to learn more of the story behind her paternal family, especially her great grandfather, Chaim Moscovitch (Dani Oore) and her great grandmother Chaya (Mary Fay Coady). They came to Halifax, Canada, in 1908 on a boat. Chaim’s family were all killed in a pogrom in Romania.  In a chilling narration, he recounts to Chaya and to all of us how he found their bodies which is a moment he will never forget. Chaya was coming to Canada with her entire family. Her first husband died in Russia while trying to leave from there.

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Review: "Antigone" at Young People’s Theatre

Review: "Antigone" at Young People’s Theatre

Whenever I see a production of a classic Greek play, I’m always a tad leery of what to expect for the fact I have never found these stories particularly interesting. I know, an English major/French minor who should have studied and respected these works.  I know, I know, and I did. I’ve always enjoyed most of the Shakespearean works but there was something about the Greek plays that just never intrigued me to want to attend.

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