Are we overproducing queer tragedy on stage? In 2025, with politics charged and audiences hungry for more, the question lingers: where’s the balance between grief and joy, between history and celebration?

Middle-aged women are the lifeblood of theater. They buy the tickets, fill the seats, and keep the lights on. Yet their stories are sidelined. It’s time to stop handing them only the grandmother roles and finally give them center stage.

I’ll always respect author intent, but if your show runs longer than 90 minutes, give us an intermission.

Fat actors deserve more than the handful of roles written around fatphobia. Too many shows restrict who can play what, leaving fat performers boxed in.

Sometimes the most devastating songs don’t scream, they whisper. ‘Some Things Are Meant to Be’ from Little Women is one of those songs.

“Buried in Shrek’s swamp is one of Broadway’s most underrated songs. “I Know It’s Today” isn’t just funny, it’s heartbreaking. And it might be the number that secretly saved the show.”

Quentin Tarantino is aiming to bring his first play to London’s West End. As a fan, I can’t wait to see his dialogue come alive on stage.

What makes an opening number unforgettable? From Tradition to Alexander Hamilton, the first notes tell us everything we need to know about a show.

“Love theatre but tired of the drama? Let’s talk about how we as fans can keep the passion alive without the toxicity.”

“Please accept my sincerest apologies for not single-handedly keeping your favorite Broadway show open. I now realize that by failing to buy a full-price ticket to that show, I personally caused its premature closure.”