The cast of Other Desert Cities is undeniably impressive, but I’ve never been especially high on the play itself.

Hamilton has been on Broadway for more than a decade. The proshot has been available for years. And yet, the show is still selling out. What does that say about staying power on Broadway, and what can other shows learn from it?

And I’ll just say it right away. My excitement level for this one is high.

It’s been nearly 30 years since Show Boat last played Broadway. For a musical that helped shape so much of the American musical, is it time for Broadway to take another look?

My excitement level is high. I love live horror on stage. How excited are you for Paranormal Activity on Broadway? Sold already or waiting to see if it actually delivers the scares?

Lin-Manuel Miranda and Eisa Davis’ Warriors musical is officially headed to Broadway in March 2027, and as a longtime fan of the 1979 film, I cannot wait.

Could Spider-Man ever return to Broadway? With a new movie on the way, does the infamous musical deserves another look, or has the cost of Broadway in 2026 made that impossible?

Paddington is officially coming to Broadway in Spring 2027, and yes, we are absolutely allowed to rejoice today.

Paddington posters are suddenly popping up around NYC, and Broadway rumor watchers are paying attention.

The Tony Awards is the one night a year when Broadway gets treated like a national event instead of a niche obsession your relatives tolerate. For a few hours, the rest of the world wanders into our church.

I’m angry that Death Becomes Her is closing because this was not a flop. This was a critically praised musical that built the kind of fanbase most shows would kill for. But in today’s Broadway economy, even that may not be enough anymore.

Could They’re Playing Our Song ever work on Broadway again, or is it too trapped in the late 1970s to feel relevant today? Maybe the real question is whether “dated” is always a bad thing.

Megan Thee Stallion leaving Moulin Rouge! early should not become a pile-on. She deserves empathy, but audiences who bought tickets expecting to see her deserve fair refund or exchange options.

The hits for The Queen of Versailles just keep coming. After rough reviews and an early closing, the musical has now been completely shut out by both the Drama League Awards and the Outer Critics Circle Awards.

Paddington won big last night at the Olivier Awards and honestly? America needs this show right now.

Scott Rudin is producing the new Death of a Salesman revival, and that is reason enough for me to stay away.

For guest writer Jessa Blackthorne, audience participation at The Rocky Horror Show isn’t just tradition, it’s personal. She explains why the communal, chaotic, and joyfully interactive spirit of the show still matters so much today.

If actor safety is truly the priority, then a Broadway transfer of Evita needs to reflect that. Rachel Zegler’s well-being should matter far more than preserving a flashy staging choice that may not be safe to recreate in New York.

Chinese Republicans isn’t a workplace satire. It’s a play about power. And it’s not here to comfort you.