“The Broadway League needs a leader who can unite the industry under a shared vision, balancing artistic integrity with financial sustainability. Whether Jason Laks is the right person for that role depends on his ability to transcend his legal roots and embrace the multifaceted nature of Broadway.”

“Scherzinger's seeming support of Trump isn’t just a political stance; for many, it represents a betrayal of the very values that make the Broadway community a safe haven for those who have felt marginalized elsewhere.”

“The reviews are out, and, as expected, everyone is raving about the Sunset Boulevard revival at the St. James Theatre. In nearly every review, critics say that Nicole Scherzinger’s performance as Norma Desmond is a revelation. So with that said, is Scherzinger the favorite to take home a Tony Award?”

"It would be wonderful if there could be some flexibility or lightheartedness around these fan-made tributes. I’m certain they’re meant with deep admiration and excitement rather than disrespect."

"As heartfelt and reverent as this tradition is, it is marred by inconsistent application and unclear guidelines, which often raises questions about who is deemed “worthy” of such a tribute."

"Gavin Creel wasn’t just interested in shining on stage—he wanted the entire theatre community to thrive."

"It was recently made known to me that, according to licensing material, theatres are actually allowed to whitewash 'Little Shop of Horrors.' But as the saying goes - just because you can, doesn't mean you should."

“Need a quick pick-me-up? I encourage you to rediscover or take in for the first time one of the most underrated musicals of the last 20 years - Legally Blonde the Musical​.”

“Over the years, Disney Theatrical Productions has brought beloved animated films to life on stage, capturing the hearts of audiences with stunning visuals, memorable music, and heartfelt performances. Here's my ranking of Disney's live theatrical musicals.”

“I don’t think I would go so far as to say that “Hamilton” changed the art form. What it did do, however, was, as “Hair” and “Rent” had done before, drag the American Musical kicking and screaming back into alignment with popular culture without sacrificing any of its storytelling power or quality of craft.”

“Carousel is an extraordinary show with problematic elements but I believe it codified the musical drama.”

““Hair” forced Broadway to reckon with rock music and introduced the rock musical as a Broadway genre.”