Spotlight

Stories that deserve your attention

Observations Christopher Peterson Observations Christopher Peterson

Brown Paper Tickets Fiasco Claims Its First Casualty

“Today, the Pisgah Film House sadly announced that they were permanently shutting their doors. While the film industry, even for small houses like Pisgah, faces a changing future with COVID-19, stated as a major reason for their closure is that they never received their funds that were raised using Brown Paper Tickets.”

Read More
Observations OnStage Blog Staff Observations OnStage Blog Staff

Fame isn’t the Only Form of Fulfillment

If your heart and soul are happy, if you are content with your life and can do what you love - then you are fulfilled. And if it means you’re never on Broadway, if you aren’t in the next superhero blockbuster but are happy - that’s ok. Because fame isn’t the only form of fulfillment.

Read More
Observations OnStage Blog Staff Observations OnStage Blog Staff

Why Watching Plays on the Internet is So Important During Lockdown

“We all have good reasons in the world to turn toward this new kind of theatre. Helping the industry, curiosity, learning, safety, comfort, hope, community, creativity, we all find something that resonates. And theatre and its uniqueness, its sound, its shots, its productions, its characters, and its audience give us all this. Online or not.

Read More
Observations Christopher Peterson Observations Christopher Peterson

Brown Paper Tickets Cheated Their Customers, Now They're Ignoring Them

According to cheated customers, Brown Paper Tickets’ customer service is a mess. Phone calls and emails aren’t being returned. If there is a response, it’s automated and provides very little details. Questions over what happened to their funds aren’t being answered. And now, to top it all off, they shut down their phone support.

Read More
Observations OnStage Blog Staff Observations OnStage Blog Staff

Broadway Can Learn from South Korea’s Theatre Market During COVID-19

“While most productions big and small across the country did cancel or postpone, unlike Broadway or the West End’s ominous shuttering, a few productions in Korea have remained open. Korea’s approach elucidates hints of what the Broadway community should expect, or perhaps demand, from theater owners, audiences, producers, and marketing in order to move forward together.”

Read More