“I have adored work created by problematic artists, and I have also had abusers create work that was consumed by others while completely ignoring who they were as a person.”

“Jacks (or jills)-of-all-trades may be viewed as “masters of none”, but I would argue that their versatility is exactly what makes them so valuable. They are just as much a part of the theatre scene as anyone else, and we not only need to recognize their existence but also to welcome their unique approach.”

“What is too sacred to be touched? At what point do we draw a line, if at all, when it comes to classic works of theatre? And, most of all, what are we hoping to gain by changing or not changing them?”

“The film cast Red Riding Hood and Jack way too young, and it impacts the effects of their storylines and the overall message of the story.”

So what is it about a murder mystery that keeps audiences going back for more in its many art forms? From page to screen, from stage to dinner parties and beyond. As creative and broad minded audience members we will all embrace something different about the thrill of the murder mystery but I believe there is one thing that combines all of these-the formula. That is, the foundations-the magic ingredients if you will. Not secret ingredients but a recipe followed by all good crime writers that makes for a sure-fire hit.

“Tom Hanks playing a character with a low test score and innocent mannerisms is not the same as a nondisabled actor playing a character that is distinguished by a disability in a storyline all about that disability.”

“Disney is making strides in the progressive direction. To cast a male actor as Ursula would not be “unfortunate” at all.”

“With the upcoming official release of Music this week, I write with a related frustration: This industry has a problem with support for Autism Speaks.”

“‘Ratatouille: The TikTok Musical’ is a case study that provides two approaches to online theatre-making, the perfect dichotomy in which to examine how we connect with an audience in the infinite abyss of the internet, and more specifically TikTok.”

The controversy over Randy Rainbow’s old tweets certainty drew a lot of reaction on social media. Many were outraged, many were ready to forgive. But the issue led to some observations about how some of us excuse such past behavior and how others accept apologies that weren’t directed to them in the first place.

“As I reflect on this past year and look toward the future, I hope that the theatre industry remembers what has happened and learns from it. What can we keep from 2020 and what do we want to leave behind?”

“How do we reconvene after this prolonged hiatus in a way that continues to keep safety and love at the forefront of our practices, without sacrificing the quality of our storytelling or censoring compelling narratives?”