Spotlight
Stories that deserve your attention
What to Expect When You're the "Token Black" Performer at a Summer Stock
“If you show any emotion that isn't happiness, it will be conceived as anger”
What are you grateful for in your theatre world this year?
“This Thanksgiving season, I encourage you to find gratitude within the grind. Remember why we missed these rehearsal rooms so much when we weren’t allowed to be in them. Remember the passion that led us to the theatre in the first place.”
From Hero to Villain: Why We Suddenly Hate Evan Hansen
“Evan makes a really bad, hurtful choice. He takes advantage of other people. Evan also was left by his father, tried to kill himself, and suffers from a mental illness that significantly impacts his life. These facts about him can all exist simultaneously – and they all elicit an emotional response within us. We are forced to live with the dichotomy of Evan’s vulnerability and his deceit.”
"How the World Can Be" - Lessons for a Revolution from 'Hadestown'
“It’s not hard to catch on to the fact that Hadestown is an analogy for 21st-century social concerns.”
"Why the green girl is never Black?": Racism in casting
“Elphaba has never been played by a Black woman full time in the United States. A character, who is painted green for the entire production, has almost always been played by a white woman full-time in America. One argument defending this is that theatre should not “be political,” or “politically correct,” and that the role should just go to “the best person.” To this, I ask you – why do you believe that the best person is never Black?”
An Open Letter to Laura Osnes
“Being a paid performer is a privilege, a wonderful, joyous privilege. With privilege comes responsibility, and yes, as someone who is receiving money from paying public customers, you do have a responsibility to treat their health as safely as possible.”
Laura Osnes' vaccine flap is dangerous, dumb and shouldn't be forgotten
“Interestingly enough, I’m not as pissed off that Laura Osnes isn’t vaccinated and seemingly believes in dumb conspiracy theories, as I am that her actions put everyone involved in potential danger.”
I asked 40 artists about performance & mental health. Here’s what I found.
“If the performing arts are so good for us, and bring us abundant benefits, why do they also influence us so negatively? How can a space be our absolute safest, and also the source of our distress?”
STOP Telling Performers to “Just be Thankful for the Opportunity”
There is the scapegoat comment that I have heard a lot of theatre professionals say to actors and actresses for years and years now: To be grateful or thankful for the opportunity every time an issue arises and a performer speaks up about it. I think that is such a stupid and outdated thing to say.
The treacherous path to sobriety in American theatre
“It’s completely baked into the artist mindset that a level of self-destruction is necessary to unlock what you want to do. In some ways, you start to believe that without it, you are not an artist. That it helps you to unlock your genius.”
How a Dance Class Made Me a Better Performer and Person
“Dance gave me a new sense of self-confidence that I didn’t really know that I lacked.”
The 5 Struggles of Being the Only Musical Theatre Fan in Your Group of Friends
“Some day you’ll make your friends come around.”