Spotlight
Stories that deserve your attention
How to recover from a bad show
“So how do we recover from a bad show? How do we find the fortitude to face the following evening with a smile and not a grimace?”
10 Years Ago, I Started OnStage Blog...
“Ten years ago, I sat down in front of a small fold-out table in my living room and wrote my first blog post about theatre happening in my area of Connecticut. What a journey it’s been since.”
Let's Talk About "Act Singing"
“It can be challenging to blend acting and singing, making them work together without working against each other.”
Standing ovations should be reserved for productions that deserve them
“Standing ovations shouldn't be discouraged by some "theater snob's" insistence that only the shows that earn it, deserve a standing ovation. By the same token, it appears as though people engaged in any standing ovation are doing so because they think that it's what you're supposed to do at the end of a show.”
Community Theatre is Not a "Trap"
“A friend of mine recently told her that one of her college theatre directors told their class to avoid participating in community theatre because "it's a trap for serious actors."‘
Understanding Shy Theatre People
“When it comes to the narrative of theatre people that non-thespians compose, shy performers are often left out.”
What would make you walk out of a show?
“I always stay in my seat until the final curtain call. At the same time, I've heard stories from people on why they've chosen to leave a show after it's started. Some of them I agree with and some of them I don't.”
What is a theatre critic's actual job?
“Should a theatre critic be a theatre expert who can analyze a production using well-educated theatre theory? Or is a critic a professional audience member who goes to the theatre and gives us a breakdown about whether or not they enjoyed something? “
You can produce 'RENT' with an all-white cast, but why would you?
“Casting ‘RENT’ with an all-white cast undermines the authenticity, representation, and social impact of the musical. It is crucial to cast actors who reflect the diversity of the characters and the setting, allowing the production to resonate more deeply with audiences and contribute positively to discussions about inclusivity and representation.”
How I felt when I screwed up on stage
“Chances are, if you forget a line, or crack really bad on your favorite belty solo, the audience won't remember when the show ends.”
An Ode to Closing Night
“All the cues, all the scenes, all the good times, and chemistry are now about to become nothing more than a memory.”
Actors Can Be Introverts Too
“Not every actor wants to be in the spotlight or the loudest in the room in social situations which I think is a common misconception.”