“Saturday Night Live needs to cut Shane Gillis before he gets a chance to make 30 Rock his home.”

“Fat accessibility has a long way to go across the world, but there’s no reason it couldn’t begin with theatre.”

“If anything, these arrests tell us that sexual predators are active in this industry and using it to lure their victims.”

Thankfully, a number of colleges in this country offer outstanding and innovative dance programs for perspective students. Here are 30 that we feel are the best.

You’ve probably seen it: at the end of a play about some kind of tragedy, every character in the play starts interlocking monologues that individually paint their own pictures but which add up to a bigger picture, and the audience is often forced to move their heads around like their watching the worst game of tennis ever. I can see why playwrights would do this, but I think it is hurting plays.

A Chicago based theatre company has cancelled an upcoming production after the show’s director was banned over alleged abuse

Critiquing art isn’t about tearing it down or throwing blanket support, it’s about holding art to a higher standard. Good, honest criticism comes from a place of desire for understanding and pushing the piece of art forward.

So do me a favor if you are a casting director or someone who is running auditions. If you see our resume and you see that we are a non-Equity member. Please don’t dismiss us. Just because we don’t have a card yet doesn’t mean anything.

When Amar Ramasar takes his first bows as Bernardo, it will have been just a year and a half since he was fired from the New York City Ballet for sharing nude photos of female company members without their knowledge or consent. Yet, in typical professional theatre industry fashion, the powers-that-be decided to overlook egregious behavior and declare that talent trumps unethical behavior, no matter how vile.

So when Ramasar takes his first bows, I encourage you to give him the reception he deserves - boo him.

The Argentinian Prostitute Play puts an unknown, female-driven story on an off-Broadway stage.  It is a complex immigrant story, a feminist story, and one where women escape their male oppressor in a time where their independence is difficult to grasp on to. 

It is more important than ever before that we continue to have strong females on the stage, as directors and on creative teams in the theatre.

All men, women, gender-fluid and gender non-conforming people alike should feel comfortable expressing themselves any way they'd like, primarily through dance.