Spotlight

Stories that deserve your attention

Chicago OnStage Blog Staff Chicago OnStage Blog Staff

Chris Jones Once Again Fails The Theatre Industry

“The Chicago Tribune’s Theatre columnist, Chris Jones, has continuously ignored both the process and labor of creating theatre and passed by the stories of workers organizing for a better, safer, more equitable, and accessible industry. It is time he took responsibility for supporting the exploitation many of us are working so hard to end.”

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Michigan OnStage Blog Staff Michigan OnStage Blog Staff

Matching Murals with Theatre

“Outside of Michigan, most people have only heard the bad news out of Flint. It’s the city whose drinking water was poisoned by a state administration that took over the city’s governance and wanted to save money. But Flint is also home to the Flint Repertory Theatre, an organization led by Michael Lluberes that has been doing amazing work and this summer is offering pandemic-safe work that marries playwrights and visual artists and takes audiences all over the city.”

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Industry Christopher Peterson Industry Christopher Peterson

Actors' Equity Convention ends with walkout by BIPOC delegates after failure to address "white supremacy culture"

“The final day of the Actors’ Equity Association’s(AEA) first-ever delegate convention featured a protest with many BIPOC delegates leaving the event in protest over the union’s failure to address racist actions that targeted a black delegate which had allowed “white supremacy culture” to create an unsafe space for other BIPOC delegates.”

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Observations OnStage Blog Staff Observations OnStage Blog Staff

Is Theatre Really Queer? Separating Fact From Fiction.

“You will be hard-pressed to find anyone who works in theatre who hasn’t heard the words ‘theatre is gay’ at some point during their career. Despite the fact that there are, as we all know, plenty of straight actors involved in theatre and the arts, this stereotype seems to persist relentlessly. Particularly for young people, the image of theatre and performance is often one of campiness and lacking masculinity. But why? Where does this come from? Why is theatre seen to be so queer?”

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