Spotlight
Stories that deserve your attention
Disability in Theatre: Strategies for Combating Ableism by Meeting Actors’ Access Needs
“It does the industry no good to provide opportunities for people with disabilities if theatre companies do not embrace the access needs of performers throughout the entire audition, rehearsal, and performance processes. It does not matter how many people are invited into the room if the room is completely inhospitable to them once they are there.”
Misunderstood Musicals: "Anyone Can Whistle"
“Scenes and numbers are timeless as most of them still easily resonate today in regard to things happening within our world. It’s just too bad the show really didn’t have a chance back then.”
Why I quit acting...
“This is not a sad ending. I transitioned my love for acting to production. I worked as a technician, designer, director, stage manager, and eventually, a writer with multiple experiences under my belt. Writing to you about why I quit acting.
It’s a happy ending.”
We Need More Asexual Representation in Musical Theatre
“As someone who is on the asexual spectrum, it is a little disheartening that this performing medium that I love so much doesn’t seem to have a character I can relate to on that level.”
If Math and Science Are Required in School, the Arts Should Be Too
“I’ve heard from people who claim that arts education should not be compulsory is that the arts are not as important to a child’s education as other subjects are. This could not be further from the truth.”
A Big Thank You to Set Designers
“Set design has the power to elevate the theatrical experience to a fantastical level, or just bring us into another’s daily existence. Whether it be lavish or simple, the stage is a powerful visual tool. To stage designers everywhere, I salute you.”
There Shouldn't Be Audition Fees for Community Theatre
‘Recently I was alerted to a community theatre that was charging $50 to audition for their upcoming shows. I was more than a bit surprised by this because it’s the first time I’ve ever seen a community theatre charge, let alone that much, for someone to simply audition for their shows.”
What to Consider When Two Actors are Perfect for the Same Role
“Let’s say both actors did just as wonderful in their auditions; then the nitpicking has to go even further. Does one actor look more perfect for the role? What in their resume sets them apart from other performers? When auditions are equal in quality, digging deeper and considering every possibility can help a director cast the best choice.”
Every performer should be involved backstage at least once
“When an actor works backstage they get to see the other side of things. They get to see the rest of the hard work that goes into a show. It helps build an appreciation of what goes on behind the scenes.”
We Need to Talk about Fat Men in Theatre
“All men can be romantic, no matter what they look like. All men can be sexy, no matter what they look like. All men can have energy, no matter what they look like.”
"But I don't know any Black actors"
“There just aren’t any non-white actors” is a horrific, untrue statement. But when that’s what you’ve experienced your entire educational and professional career, it can feel true. And that’s a huge problem.
The Case for “Carrie The Musical”
“When I think about “Carrie the Musical” I think about its potential to be great rather than its flawed execution.”