“The beloved queer indie film Trick is now a stage musical, celebrating love, self-discovery, and queer joy with heart and humor. Its world premiere at Atlanta’s Out Front Theatre Company is a powerful reminder that LGBTQ+ stories deserve the spotlight—then, now, and always.”
Read More“Blood Brothers has never gotten a real chance to resonate with American audiences the way it has with British ones—and we’re finally living in a moment where it could.”
Read More“Let’s talk realistically. Let’s talk about how to ask for help in a way that doesn’t always involve asking for dollars”
Read More“So here it is: Part 3 of the Top 50 Movie Musicals Since 2000—a mix of critical darlings, audience favorites, hidden gems, and the ones I just couldn’t stop rewatching.”
Read More“So here it is: Part 2 of the Top 50 Movie Musicals Since 2000—a mix of critical darlings, audience favorites, hidden gems, and the ones I just couldn’t stop rewatching.”
Read MoreSo here it is: Part 1 of the Top 50 Movie Musicals Since 2000—a mix of critical darlings, audience favorites, hidden gems, and the ones I just couldn’t stop rewatching.
Read More“In a move that’s both cruel and cowardly, hundreds of already-awarded grants were quietly canceled with little warning, pulling the rug out from under the organizations that had counted on them. Let’s not sugarcoat this: this will devastate community theatre.”
Read More“When community theatres delay casting decisions or go radio silent, actors are left wondering: Do I wait? Do I move on?”
Read More“These actors just gave you everything they had for the past two and a half hours. The very least you can do is stay and clap.”
Read More“Don’t turn a callback into a referendum on your entire talent. You are not less of an actor if you don’t get a second read. You are not doomed if they don’t laugh at your joke.”
Read More“If you’ve had a good day at a theme park, thank a cast member. And not just with a quick “thanks”—I mean really thank them.”
Read More“Redwood was trying something bold. This was a brand-new story. New music. No jukebox score, no familiar IP safety net. Just a cast and creative team taking a swing—and that matters.”
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