“Oliver is not just another role. He is the emotional center of a musical that is deeply and intentionally tied to Asian culture.”

“A high school theater manager. A sudden ICE detention. A school community left in shock. When even public educators aren't safe from immigration overreach, it's time to ask what kind of country are we becoming?”

"Producers take the risk. Landlords take the rent. What if tax incentives rewarded the ones willing to share? Time to rethink who gets the breaks on Broadway."

“This week, I’m breaking down practical ideas the industry could actually implement. First up: rethinking the eight-show week. Do we really need eight? Or are we just clinging to tradition?”

“What if Broadway left New York? With rising rents, fading tax credits, and shrinking profit margins, it’s not such a wild question anymore.”

“What kind of theatre critic does the New York Times need in 2025? With Jesse Green reassigned, a new chapter begins.”

“When young people speak up about misconduct, they deserve more than form letters and silence. They deserve to be believed, protected, and taken seriously the first time.”

“This isn’t just an unfortunate business story. It’s a cautionary tale about how easily the most vulnerable people in our industry can be left holding the bag when things go wrong.”

“It’s not just about saving a few bucks (though for a lot of actors, every dollar counts). It’s about treating people — especially emerging artists — with the kind of care that makes this industry better, not colder.”

"Not every show is right for your stage. If your community doesn’t have the type of talent a show requires, you probably shouldn’t do it."

“As the curtain rises again on a Scott Rudin production, the industry must decide whether the spotlight should still shine on him or finally turn elsewhere.”

“Being a member of an audience can provide a lot of challenges, as we all have our own idiosyncrasies and weaknesses. One of mine that I struggle with is being a big-time fidgeter.”