“A production that had been in the works for a year, one with queer themes and a bold vision, has been pushed off campus not because the state banned it, but because students worried the state might.”

Not every classic needs a ‘fresh take.’ Sometimes the boldest thing a director can do is… nothing. Some thoughts on when radical reinterpretation is liberation, and when it’s just laziness.

The Cierra Renée lawsuit is about more than one role. It is about who gets to speak up in Broadway spaces, and who pays the price.

It took me years to learn that these are things I needed to have with me at all times backstage.

“Who told you this was acceptable? You harassed her. You weren’t a fan, you were a parasite.”

Audra McDonald’s frightening encounter with a “fan” this weekend should make us all rethink stage door culture.

A medal from this administration isn’t an honor, it’s a prop. Michael Crawford’s legacy is worth more than a photo op.

A German theatre cancelled a play about abuse in the Catholic Church because the artistic director feared Christian audiences “couldn’t handle it.” Faith doesn’t need protection from truth — but survivors do.

“A statement from Andrew might not fix everything, but if it is genuine, it could be a positive step toward healing and open up a meaningful dialogue.”

“David Mamet’s podcast walkout was more than a tantrum, it was a warning about the fragility of public discourse.”

“Theatre is not inherently more noble than any other art form. But it can be something transformational, if we are willing to ask harder questions about who it's really for.”

“How can Asian actors become bankable stars if no one will give them the opportunities to become bankable stars?”