OnScreen Review: "Nope"
“It may not resonate with everyone like Get Out did as an unexpected hit, or Us did as a highly anticipated anticipated follow-up, but its arguably more ambitious in its scope and scale than those previous films.”
OnScreen Review: "Thor: Love And Thunder"
“Same ingredients, still a lot of laughs, just not quite mixed together to the same effect as last time.”
OnScreen Review: "Elvis"
“Elvis is a movie constantly teetering on the line of self-parody and overwrought drama, a total lack of self-awareness and unintentional comedy.”
OnScreen Review: "Jurassic World: Dominion"
“Your screenwriters were so preoccupied with whether or not they could, they didn’t stop to think if they should.”
OnScreen Review: "Men"
“While the cast impresses, and it may be a more accessible piece of work from Garland, too much of it feels like low-hanging fruit.”
OnScreen Review: "Top Gun: Maverick"
“Making a sequel more than 30 years later is no small task. And it is rare is it when a sequel is even better than the original, but that is what we have here.”
Doctor Strange and the Multiverse of Madness: What to Expect Before You Watch
“Is this better or worse than the first Doctor Strange movie?”
OnScreen Review: "Doctor Strange in the Multiverse of Madness"
“A lot of fan talk is going to be devoted to geeking out about the cameos that happen, but Doctor Strange in the Multiverse of Madness works enough to stand on its own as wild trip of a sequel and an MCU entry.”
OnScreen Review: "The Northman"
“There is always a cost to revenge. Amleth, the titular northman, is aware of the cost.”
OnScreen Review: "Everything Everywhere All At Once"
“It is just the right level of weird that I want from my movies; a bold and entertaining film that is easily the leader in the clubhouse for Best Film of 2022.”