A revival of the classic drama will return to Broadway in 2020.

The audience-pleasing Broadway musical will arrive on the streaming service executive produced by Ryan Murphy.

When I, a staunch feminist journalist, learned of the blog championed by Stephanie Iscovitz, Alexandria Balsamo, Devyn White, and Abby Judd, I was ready to jump to my computer and write an article standing for women’s rights in the entertainment community. The article that you’re about to read stands up for those same women, but with a different message after reviewing the facts.

The scattered social media testimonies of these women alleged various financial improprieties that when matched with receipts and supporting emails indicate that many of their assertions are deceptive. The facts unraveled the site disseminated throughout social media by Stephanie Iscovitz as a labyrinth of misleading comments geared towards creating unrest and damaging a project that by numerous accounts adds much-needed industry guidance within the arts community, The New York New Works Theatre Festival.

A little over a year ago I had the privilege of writing about five young artists this country should know! I received a lot of excellent feedback about that article and thought it would be a cool idea to turn this into a yearly thing. There is nothing more rewarding than working with kids in theatre. There are some fantastic communities in this country that is producing some amazing young talent. Here are another five young artists you should know about in this country!   

I would like you to meet the talented Juan Callaber Prades. This triple threat will be performing in the Lyric Opera in Chicago’s production of West Side Story (a show he has performed previously at The Barrington Stage) where he’ll be playing the role of Tiger and understudy for the role of Chino. Some other recent credits include Jerome Robbins Broadway 30th Anniversary Reunion, as well performing in Evita at The Asolo Repertory Theatre and Riverside Theatre, and Guys and Dolls at The Old Globe Theatre and The Asolo Repertory Theatre. Juan has an amazing presence on the stage that draws you to him. It was a complete honor to have the chance to interview this fantastic triple threat of a performer!

Ever wonder what happened to the characters of your favorite musicals after the curtain closes? Well, so have the creative team behind ‘Sequel the Musical”, and improv show that improvises a sequel to a Broadway musical of the audiences choosing. When asked about how the idea came to be, creator, Rachel Zeolla said “I got into musical improv because of my love for musical theater, so I tried to create a show that encompassed both of those things. There are so many amazing stories in musical theater, and I felt like it would be fun, and hysterical, to explore where else those stories could go in their sequels.” The team has improvised anything from “Phantom of the Opera” to “Footloose” and has even improvised four different versions of “The Sound of Music.”

Let me tell you, I have had the privilege of doing interviews for OnStage Blog for well over a year now, and some stories are just so amazing, surreal, and inspiring. Some of these interviews and hearing these artist stories strongly remind me that if you work hard for your dreams, your dreams will work hard for you.

With that said it is my honor to introduce you to the wonderful Sarita Amani Nash.

Sarita is making her Broadway debut in Harry Potter and the Cursed Child (Parts 1 & 2) at the Lyric Theatre. What makes her debut so special is that for four years before making her Broadway debut on the Lyric Theatre Stage, Sarita’s ‘survival’ job was ushering at the Lyric Theatre. The very people that she was showing to their seats at the Lyric are now sitting in those very seats watching her perform on the Lyric stage in Harry Potter 8 times a week. How cool is that? Some stories truly write themselves, and I feel this is only the first chapter for this amazing young actress.

I would you like to meet the talented Jill Abramovitz. Jill is currently on Broadway in Beetlejuice, which recently began previews at the Winter Garden Theatre, playing the role(s) of Maxine Dean, June, and Ensemble. Jill has also been previously seen on Broadway in Fiddler on the Roof, Cinderella, 9 ot 5 and Martin Short’s: Fame Becomes Me. I am a huge fan of her and this show, so to have the chance to interview Jill is wonderful, wonderful, wonderful!

March Madness is upon us. Which means it’s time for OnStage Blog’s annual Broadway bracket. This year we thought we would change it up a bit and have our readers vote on which longest running musical is their favorite. So we looked up the 32 longest running musicals.

Given the popularity of some of these musicals, I think the choices might be tougher than you think.

I would like you to meet the wonderful and talented Erin Driscoll. Erin can currently be seen playing the role of Cinderella at Ford’s Theatre which runs until May 22nd. Erin also appeared in Ford's Theatre's production of Violet where she performed the title role. The first time I had the chance to see Erin perform was when she played the role of Hope Cladwell in Urinetown at Signature Theatre in Virginia (A role that earned her a Helen Hayes Award). Throughout the years, Erin has become a real staple in the Washington DC Theatre scene, and everyone who has seen her perform can attest that she is truly worth the price of admission. I am very honored to have the chance to interview her.

One thing that has always struck me about her is the quality of her natural voice. Strip away the humor and the character work, and Ms. Bianco truly possesses an instrument to be admired. Anyone who can sing "Glitter and Be Gay" eight times a week as part of a GAG... well, that is a national treasure in my book, friends.

This weekend, the New York native brings it all home with a much-anticipated solo concert at The Green Room 42.

A bus stop doesn’t seem an auspicious place to start a theater company but for Open Door Theater, based in Acton, MA it’s at a bus stop where Penny Pitts and Nancy Carroll first conceived of Open Door Theater. It was 1980 and Penny, a puppeteer new to Acton, joined Nancy in her idea of a theater open to all where the idea of “all” really meant all. At Open Door Theater, actors who are cognitively and/or physically impaired and for whom participation in theater may not be possible with other groups, share the stage with neuro-typical actors. It provides unique opportunities and experiences for everyone on-stage, those working behind the scenes and for audience members.

I would like you to meet Morgan Siobhan Green. Morgan is making her Broadway debut in Be More Chill where she understudies for Christine, Brooke, Chloe, Jenna, and ‘as cast.’ Before that, she was seen Off-Broadway in Folk Wandering (ARTNY), and Sweetee (Signature). She has also performed regionally in Between the Lines (Pre Broadway). I always admire understudies and swings who perform on Broadway because as many will tell you they have a lot on their plate, so it was quite an honor to have the opportunity to interview Morgan! 

The pop superstar has brought a Rodgers & Hammerstein showstopper to a new generation.

I would like you to meet Katlyn Carlson. Katlyn is currently making her Broadway debut in the Joe Iconis hit Be More Chill where she is playing the role of Chloe Valentine, a role she played both in the recent Off-Broadway run and with The Two River Theater. She has also performed Off-Broadway in The Unavoidable Disappearance of Tom Durnin, and in the First National Tour of Dirty Dancing. It was such a privilege to have the chance to interview this very talented University of Chicago alum!

What advice would you give young performers who want a career in this business?

Work on your craft! There are many things that may attract you to a career in Acting, but I will say you must love the craft above all. Get in a class. Get a mentor. Go see shows (Not just the ones you could be in but also the ones that you may not see yourself in). Meet people! First, believe in yourself. Then, surround yourself with people who believe in you! Become financially literate. Write your own story. Don’t be phased by rejection. You will most likely receive some form of it. Instead of asking “why me?” Ask “what is this teaching me?”. Carve out time to be somewhat normal. Learn to cook. Read a book. But most importantly get spiritual (whatever that means to you) and take care of yourself.

Last December, I wrote a piece on the fact that Broadway Break Thru and its founder David Petro, had not paid its guest faculty for their work during their summer college programs.

Some of the guest faculty hadn’t been paid a dime despite some of them being owed upwards to $1,000.

After publishing the article, I had heard that Petro promised(in writing) that he would pay all monies owed by February 28th. I’ve been told by various faculty, that he hasn’t sent them a dime.

Beginning March 18, DNR STUDIOS presents a new twice-weekly hour-long LIVE radio show hosted by long-time broadcaster and social media personality Laura Heywood (@BroadwayGirlNYC).