This iconic and relevant work is for women, primarily women of color navigating their way through an often antagonistic world, making life-and-death decisions about survival and future.

“Under Leigh Silverman’s impeccable and focused direction, the ensemble cast creates a palette of strong emotions and enduring questions about the future of humankind.”

“Under Danya Taymor’s intuitive and exacting direction, the accomplished cast delivers believable and authentic performances and embodies the characteristics of Yeats’ rough beast with cathartic effect.”

“The competent cast does what it can but cannot transcend the inferior material they have to work with or the haphazard direction by Lonnie Price who usually delivers an exceptional product.”

“The stellar cast is more than competent but seems to have succumbed to the heavy-handed, muddled and indistinct direction of Michael Mayer.”

“It is unfortunate that the work of these two skilled performers are unable – due to the script – to usher the members of the audience into any morally satisfying catharsis.”

“Bernard Shaw’s Caesar & Cleopatra,” currently playing in Theatre 1 at Theatre Row, injects a palpable dose of modernity into the history of the relationship between Caesar’s Rome and Cleopatra’s Egypt.”

“Jack Thorne’s “Sunday,” currently running at Atlantic Theater Company’s Linda Gross Theater, seems to elicit one of two responses: disappointment or robust enthusiasm.”

“Despite the help of his fellow actors, Jeffrey Bean does not quite show the audience the shadowy underbelly of John’s story. Perhaps he needs more direction or perhaps he needs even more help from Mr. Hegarty and Ms. Street. “

“The casts under directors Loretta Greco and Awoye Timpo deliver remarkable and unforgettable performances.”

“One wishes for a more coherent story with a more cathartic and realistic ending. A story more fitting for the assembled “rock stars” of the theatre.”

“What could go wrong at a private school whose board of directors (all five of them) make all decisions based on consensus and have only what benefits the community at heart? “

“Writing a play about two iconic figures like Paul McCartney and John Lennon is risky business. Bob Stevens’s “Only Yesterday” currently running at 59E59 Theaters falls victim to taking such a risk.”

““Tech Support” – despite its well qualified and talented cast – barely rises above the rigorous and well-established standards for community theater.”

Keith Hamilton Cobb, under Kim Weild’s sagacious direction, takes on these societal false securities with an enormous passion and a deep desire for healing.