Part “Westworld” and part “The Office,” Ms. Salazar-Amaro’s play comedically dips into broad strokes of what it means for systems to not be working; whether reproductive, organizational, managerial, or even afterlife structure, each of the four characters faces an unsatisfactory system they seek to improve.

MIDNIGHT STREET, a dramatic, perplexing new musical written and directed by Arnold L. Cohen, with music direction by Matt Castle, is currently slogging its way through a run at Theatre Row through June 22.

Though, I feel “Gemini” doesn’t dig in to Francis’ struggles with his homosexuality as much as I would have liked to see, instead opting for the wacky antics of the people around him, and the ending feels sudden, the actors and director did a fine job with the text that they were given and put on a show that will be enjoyable for the audience.