Off-Broadway Review: "Enter Laughing - The Musical"

Off-Broadway Review: "Enter Laughing - The Musical"

The Big Apple called me, and I really wanted to pay a visit. I also knew friends would be in town and they had already booked me a seat with them to see ‘Enter Laughing, The Musical’.  I knew nothing about the play but recognized several names in the production’s credits and thought to give this one a go at it.

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Off-Broadway Review: “Midnight at the Never Get”

Off-Broadway Review: “Midnight at the Never Get”

The latest offering at York Theater Company’s Main Stage Series is the new musical “Midnight at the Never Get.” The production history started with a successful short run at New York’s historical “Don’t Tell Mama” cabaret, and then a run at NYMF in 2016. Subsequently it had a six-week 2017 run at Provincetown Inn, Massachusetts and returned to Provincetown for a weekend engagement last month. So, in can be assumed that the book, music and lyrics by Mark Sonnenblick should be solid and the performance by Sam Bolen, who co-conceived the story and has performed in every production, should be cultivated and polished.

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Review: “Starting Here, Starting Now” at the York Theatre Company

Joseph Verlezza

OnStage New York Critic

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NEW YORK, NY - In the final show of the York Theatre Company’s Musicals in Mufti Winter 2016 Series, “Starting Here, Starting Now” passes the test of time with high marks as it explores the trials and tribulations of love, relationships, and self- discovery with a diverse compilation of lesser known songs by the familiar team of Richard Maltby Jr. and David Shire. The 26 musical numbers are organized in a revue format and presented by a triad of actor/singers who integrate from solo, to duet, to trio producing tight harmonies and interesting dramatic and comedic situations. Mr. Maltby has the unique ability to make each song a complete story with clever and revealing lyrics that allow the performer to access their emotional core. He might be described as an upbeat, optimistic Sondheim without bowing to melancholy to convey the message. Mr. Shire’s music is a kaleidoscope of styles, producing easy, lilting, lyric tempos or sometimes creating forceful, driving rhythms that reflect emotional turbulence.

Charlotte Maltby, Bobby Conte Thornton, and Krystal Joy Brown sing the music of Maltby and Shire.(© Ben Strothmann)

Charlotte Maltby, Bobby Conte Thornton, and Krystal Joy Brown sing the music of Maltby and Shire.(© Ben Strothmann)

The order of the musical numbers has no distinct continuity except for the fact that all the songs in Act 1 deal with relationships and Act 2 is devoted to self-awareness. Songs flow easily from one to the next but in an attempt for a more contemporary staging, might be bridged together musically with no interruption. Also the production is heteronormative for this day and age and might be better served by adding another male actor, since the material is very accommodating to any type of relationship.

The cast of three are all talented and capable as they assume specific characters for each of their musical stories, demonstrating familiar feelings of insecurity, fear, regret, joy, delight and disappointment. They must be commended for undertaking the amount of music and staging involved in this production and will undoubtedly feel more comfortable with every performance. Krystal Joy Brown provides a strong Broadway belt to “What about Today” and also handles “Crossword Puzzle” with great comedic timing and emotional control.  Soprano Charlotte Maltby adds her clear timber to “Autumn” and “Song of Me” while adding her manic charm to “I’m Going to Make You Beautiful.” Bobby Conte Thornton provides an intense, dramatic interpretation of “I Don’t Remember Christmas,” a sincere, powerful “I Hear Bells,” and an easy, pleasing vulnerability in “Flair.” These three are generous performers and understand collaboration as they fuse their individual skills to become a theatrical force.

Musical director Kevin Stites on piano, accompanied by Danny Weller on bass, guide the singers through the evening with ease. At times tempos seemed off and that musical drive reminiscent of Weil was lacking in certain numbers. This is not an easy show to master and no one should miss the opportunity to immerse themselves in the intricate music of David Shire and the intelligent lyrics of Richard Maltby Jr. 

STARTING HERE, STARTING NOW
   
The cast of “Starting Here, Starting Now” includes Krystal Joy Brown, Charlotte Maltby, and Bobby Conte Thornton. The creative team includes James Morgan (scenic consultation) and Mary Jo Dondlinger (lighting design). Production stage manager is Elis C. Arroyo. Production photos by Ben Strothmann.

The performance schedule for “Starting Here, Starting Now” is Saturday, March 12 at 2:30 p.m.* and 8:00 p.m., and Sunday, March 13 at 2:30 p.m.* and 7:00 p.m., Wednesday, March 16 at 7:00 p.m., Thursday, March 17 and Friday, March 18 at 8:00 p.m., Saturday, March 19 at 2:30 p.m.* and 8:00 p.m., and Sunday, March 20 at 2:30 p.m. (*audience discussions follow these matinee performances).  
  
Single tickets for “Starting Here, Starting Now” are priced at $45.00 and available online at www.yorktheatre.org, by calling (212) 935-5820, or in person at the box office at the York Theatre Company at Saint Peter’s (619 Lexington Avenue, entrance on East 54th Street, just east of Lexington Avenue), Monday through Friday (12:00 p.m. – 6:00 p.m.) For additional information, please visit www.yorktheatre.org. Running time is 2 hours including a 15-minute intermission.