Gilbert Boyce takes on the challenging role of Angus and does so with aplomb. Boyce’s depth of character is everything I look for in a character.

“The Theatre Channel” provides a welcomed addition to the pandemic-era theatre performances on ZOOM, YouTube, and a host of theatre-related streaming sites.

“If you love solving mysteries, this show might just be your favorite show for 2020.”

“Each moment in “A Day” feels fragmental. A piece of a much bigger whole, the entirety of which we never really get to see.”

“I will admit that I found ‘acts of faith’ challenging because I kept wondering if this story was going to be another attack on the Christian faith and those who choose to embrace it?”

“‘Where Are You’ asks a lot of complicated questions about death and life and doesn’t claim to know the answers. But after viewing, you will certainly feel readier to go looking for them.”

“In this time of lockdown and isolation, Tarragon Acoustic’s ‘7 Stories’ challenges us even more to ponder further the idiosyncrasies of life thrown at us, especially in this time of Covid. But when a decent audio production like this comes around and makes for a really good story, it’s worth spending the time to enter Panych’s world.”

“All in all, “A Five Mile Radius” was a play with a lot of ambitious ideas but wasn’t sure how to handle them.”

Even as a simple reading, Galluccio’s words and characters live – good news as we anticipate a more fulsome production in the future.

“‘The O’Leary Theory’ was an entertaining show with a great use of its medium, talented actors, and a story that, while having a few pacing problems, was still very enjoyable to watch.”

“As theatre goers continue to embrace digital programming, knowing well enough that it is less than ideal, we are blessed to have producers, creators, and performers rise to the occasion and offer their visions, talent and hard work through alternative media.”

“With artful animation, stellar voice acting, and a great script, “Crush” is certainly a piece that you will want to watch over and over.”

“Director Carol Kane gives Geraldine Hughes the space she needs to tell her story with authenticity and stark believability.”

“With great performances, a beautiful script, and a fantastic use of the digital platform, “No Cost House” was certainly worth hopping on Zoom for.”

“I applaud Tarragon for its refreshing treatment of this upcoming theatre season that, for me, celebrates the beauty of the spoken word.”

“I can not wait to see what this powerful group of women does next.”

“Combining realistic scenes with beautiful abstract devised work, “Who’s There?” captures something truly remarkable. Using all that the virtual medium will offer, they tell a story that spans continents, seeks to unite, and leaves you asking some very important questions.”

“‘In These Uncertain Times’ is the perfect reflection of how artists are feeling at this moment in history. It is a play that shows all the hurt and fear but also the love of those around us and the desire to create.”

“Recently, I shared a most enjoyable conversation with Necessary Angel’s Artistic Director Alan Dilworth and artist Alana Bridgewater about the Resilience Project Shorts. In a press release I received from the company, Mr. Dilworth spoke about Necessary Angel’s ‘new ways to make meaning and connect with our communities in the face of the staggering challenges and changing circumstances of this time of the Covid -19 pandemic.’”