It’s unfortunate that “The Flamingo Kid” is coming out in the wake of so many “teen musicals” like “Dear Evan Hansen,” “Be More Chill,” and “The Prom.” It would be a shame if people think it is just another coming-of-age teen show, especially since it is better than these other shows with the exception of “Be More Chill.” “The Flamingo Kid,” though not perfect, has a lot of great things to offer.
Read MoreFARMER’S BRANCH, TX - Firehouse Theatre turned up the heat in the local theatre scene with their scorching-hot regional premiere of the celebrated Broadway musical, “Bright Star.” The phenomenally-talented cast assembled here crafted an intimate, genuine and engaging production infused with a perfect balance of wide-eyed optimism, young love, heart-wrenching tragedy and inspiring redemption.
Read MoreFrom a 21st century perspective, I found the story line just a tad unnerving as I wondered how a theatrical presentation could be presented of a ‘doom and gloom’ story. An interesting connection was made in the programme. This story is widely believed to lead to the downfall of Dorian Gray in Oscar Wilde’s ‘The Picture of Dorian Gray’ and caused the protagonist to lead an amoral life. A rather interesting connection.
Read MoreThe season ends at the Fabulous Fox Theatre in St Louis with the touring production of ‘Come From Away’. The show follows the true story set in the town of Gander, Newfoundland, Canada on the days surrounding the September 11th attacks on America.
Read MoreThe Big Apple called me, and I really wanted to pay a visit. I also knew friends would be in town and they had already booked me a seat with them to see ‘Enter Laughing, The Musical’. I knew nothing about the play but recognized several names in the production’s credits and thought to give this one a go at it.
Read MoreGina Femia’s extraordinary new high school-set play “The Virtuous Fall of The Girls From Our Lady of Sorrows” utilizes a simple premise to dive headfirst into the complex, all-too disheartening vortex known as the patriarchy. Set in the not-so-distant past immediately following 9/11, the play follows an adolescent group of girls trying to stage an original adaptation of Shakespeare’s “Measure For Measure” at their all-girls Catholic school.
Read More“Carcass” is a new play by Eddie Vernovsky that chronicles the story of Eric (Vernovsky), a depressed young man who is struggling to find his purpose in life. This is made all the more difficult by a girlfriend he doesn’t really like and a family that pushes every button and crosses every line. “Carcass” had the potential to be a great family/relationship drama about a broken man searching to be whole, but unfortunately, very few of the characters felt fleshed out enough to where I wanted to know what happened to them, and the spiritual journey of Eric felt very simplified.
Read More“Welcome to My World” is the newest original musical created by the Inclusive Actionplay Chorus, “a neuro-inclusive improvisational music and theatre residency for teens and adults on the autism spectrum and with related conditions” founded by Aaron Feinstein. Together this group of nineteen artists collaborating together to create a truly unique production that came straight from the heart.
Read MoreThe LGBTQ+ communities have undergone significant and healthy upheaval since Elise Forier Edie developed “The Pink Unicorn” in 2011 at The Blue Mountain Center in the Adirondack Mountains of New York State. Although the playwright has attempted to update the script, its present incarnation currently running at the Episcopal Actors’ Guild falls short of reflecting the rich complexities of gender identity and gender expression, choosing instead a barrage of stereotypes and sometimes offensive diction. This despite an impressive performance by Alice Ripley as a conservative Texas mom who daughter announces she is ‘gender queer.’
Read MoreAs we get closer to the point where Millennials and Generation Z makes up a solid majority of the voting age population, there has been an increased desire not just for younger people to see perspectives like their own represented in the world of theatre and film, but also for content that helps Baby Boomers and Generation X better understand the unique struggles that today’s young adults – born in the 1980s and 1990s – continue to face in life. Judging by the way it’s been advertised, it’s clear that the main goal of The Floor is Lava is to become the latest creative effort to try and fill that role
Read MoreWhat a pleasant surprise to walk into the Studio space at Cherry Lane Theatre and see a fresh, new look developed for the exciting new production “Original Sound” by Adam Seidel. Scenic designer, Justin Townsend has transformed the space into a multi-purpose set used for several different locations but always having the lingering aura of a contemporary, professional recording studio. Lighting by Kate McGee supports specific locations and has created a multi-colored neon tube installation as a focal point that pulsates during scene changes adding to the highly charged production and sleek design.
Read MoreThe eclectic musical comedy, “Xanadu,” rolled in under the sparkling disco lights on the MainStage Irving-Las Colinas stage and delivered a passionate, upbeat and entertaining performance. Based off the lackluster 1980 film of the same name, the comedic musical, “Xanadu,” spins the tale of a talented Venice Beach, California artist, “Sonny Malone,” who, in the midst of a creative slump, inadvertently garners the attention of the Nine Greek Muses of Olympus.
Read MoreHappy talk – the type of verbal communication, replete with counterfeit smiles, that too often serves as a replacement for authentic connection between individuals – cascades across the stage at the New Group’s world premiere of Jesse Eisenberg’s “Happy Talk” at the New Group at Pershing Square Signature Center’s Alice Griffin Jewel Box Theatre.
Read MoreVanguard Theater Company’s “A Little Princess” bursts with the earnest vivacity of a small child at Christmas—or make that rather, twenty small children shining on stage currently in this valiant tale of a girl whose spirit can’t be squashed. Based on the classic novel by Frances Hodson Burnett, this “A Little Princess” by composer Andrew Lippa and book and lyric writer Brian Crawley hops, skips, and jumps it’s way around the dark Victorian undercurrents of racism and classism, preferring instead to bask in the warm glow of youthful optimism and defiant “keep your chin up” songs.
Read MoreThis past Friday, I entered the fun, colorful, sinful world of Guys and Dolls at The Wilton Playshop in Wilton, Connecticut. It was a thoughtful and well-presented production of one of Broadway’s most classic musicals.
Read MoreTelling the classic story of the doomed daughter of Oedipus, Debora Benincasa’s one-woman adaptation of “Antigone” is incredibly refreshing. Beginning with an acknowledgement that we are about to watch a play, this version of “Antigone” sets the tone of the piece right away. Benincasa brings great humor and thoughtfulness to a piece that is typically tragic and free of much laughter. She knows this too, even encouraging you to recall sad things like your spouse leaving you or your mother yelling at you in order to get you in the right frame of mind, because, as she says, it’s a tragedy, afterall.
Read More“Friendly’s Fire” is a new play by John Patrick Bray, following Gulf War veteran, Guy Friendly (Matthew Weitz), as he struggles to maintain control of his mind and emotions as a drug attack from a recent lover brings out his, already prominent, PTSD. He creates visions and a whole cast of characters that help guide him to a deeper understanding of himself. Along for the ride is his friend Todd (Adeyinka Adebola), who, not seeing any of what Friendly is seeing, goes along in the hopes that, while they wait for help, he can understand his friend just a little better. What follows is a play incredibly moving in story and almost psychedelic in atmosphere.
Read MoreA compelling drama, The Brothers Size, opened last Friday as a Canadian premiere at Soulpepper Theatre in Toronto. Written by academy award winning American playwright Tarell Alvin McCraney, it follows the lives of young black brothers in a small bayou town of Louisiana. Although the plot is relatively uncomplicated, the great depth of this play comes from the often searing relationships among the men, the embracing of the difficult themes of race, poverty, and misguided male identity, and a unique and astounding style born from the African religion and culture of Yoruba.
Read MoreA show that catapults you into the extremities of climbing one of the highest summits on earth, 8000M is a testament to how good storytelling doesn’t require expensive bells and whistles.
Read MoreRichardson Theatre Centre’s production of Del Shores’ play “Daddy’s Dyin’...Who’s Got the Will?” delivered an intimate, well-rounded and entertaining performance. The Dallas-FortWorth-area audience in attendance quickly connected with the cast’s portrayal of a 1980s-era family from the small town of Lowake, Texas. Here, siblings reunite for the first time in years to spend a few last days with their ailing father who recently suffered a debilitating stroke.
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