Massachusetts Christopher Peterson Massachusetts Christopher Peterson

Review: "The Merry Wives of Windsor" at Shakespeare and Company

Unlike many of William Shakespeare's plays, the audience didn't need to know much about "The Merry Wives of Windsor" or read the script prior to attending in order to fully enjoy the performance. The cast, directed by Kevin G. Coleman, had the audience chuckling within minutes of starting the show making it clear that the next two hours of this outlandish farce would be nothing short of entertaining.

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Connecticut Christopher Peterson Connecticut Christopher Peterson

Review: "Fully Committed" at TheatreWorks

It’s one of those near inevitable stops on the way to success for an actor to work at a restaurant, dealing with temperamental patrons, apathetic co-workers, and a pretentious supervisor or chef who feels that their work is the greatest gift ever given to man. Such is the case for Sam in Becky Mode’s “Fully Committed,” produced by TheaterWorks Hartford.

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Canada, Toronto Christopher Peterson Canada, Toronto Christopher Peterson

Review: "Venus in Fur" at Theatre on the Ridge

Theatre on the Ridge should be congratulated for a fine summer festival encompassing drama, comedy, classics and Canadiana.  It has been a pool of diversity as wide as the Toronto Raptors’ fan base.  Their final production of David Ives’ ‘Venus in Fur’ deepens the pool even further with a witty production of a complex take on the battle of the sexes.

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New York Christopher Peterson New York Christopher Peterson

Review: "At Black Lake" at the Tank

Haunting questions about their childrens’ deaths. Nights of nostalgia melt into scalding accusations. Tension, both sexual and platonic, is rampant.

These are the circumstances for At Black Lake at The Tank – while not every question was answered, the production led the audience through an eerie and sensory experience to great success. 

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New York Christopher Peterson New York Christopher Peterson

Review: A Delightfully Captivating “The Sabbath Girl” at The Penguin Rep

Living In these disturbing times, in a country filled with division, it is heartwarming to let go and enjoy this delightful romantic comedy. Happily, there is renewed hope that love can truly bring together the most unlikely of people. The world premiere of Cary Gitter’s play, The Sabbath Girl, Is now on stage at Penguin Rep Theatre. Described as “a contemporary romantic comedy with heart about the loneliness of big-city life and the possibility of finding love at work or even next door.”

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Canada, Toronto Christopher Peterson Canada, Toronto Christopher Peterson

Review: "The Valley" at Theatre on the Ridge

Like many other Canadian playwrights, Joan McLeod enjoys writing about Canada. But what sets her apart is her desire to peel back the peaceful veneer of Canadian society and reveal the stark reality of conflict and unease that often goes unacknowledged. This is true of her 2013 play, The Valley, which takes an unflinching look at mental health and, more specifically, the interaction of on-duty police officers with citizens suffering with mental illness.

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New York Christopher Peterson New York Christopher Peterson

Review: “Hypatia and the Heathens: A New Musical in Concert” at the Caveat

While it is easy to draw comparison to today’s political climate, it must be pointed out that the show itself is by no means a political bloodbath against Christianity or religion, but rather it is expertly grounded in strong characters and writing to explore a not-oft discussed time in history that can inform our present on multiple hot button issues from religion in politics to women’s rights.

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Canada, Toronto Christopher Peterson Canada, Toronto Christopher Peterson

Review: "Nathan The Wise" at Stratford Festival

Nathan the Wise’ is a play that requires at least two or more viewings for its rich subtext of the exploration of three faiths. If anything, for a twenty first century audience, the play allows us hopefully to open that discussion of trying to find a common humanity and element that exists between all of us.

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