The rich and enduring questions raised in “Rinse, Repeat” transcend the content of this important play and are relevant to all decisions that affect the sustainability of life and the integrity of the ego strength required to experience healthy psychological growth.

Noirtown gives you the illusion of feeling everything without quite having to be vulnerable to anything at all.

Soulpepper is tackling French playwright Yasmina Reza’s 1994 play, ‘Art’, which was translated by Christopher Hampton and has been very successful in its productions in London’s West End, on Broadway, and elsewhere.

If you’re a fan of Broadway musicals and particularly a fan of the musical “Hamilton” then “Spamilton” is a comedic evening of parody of the acclaimed Lin-Manuel Miranda musical. The national tour has stopped in West Hartford with performances through Sept. 8 at Playhouse on Park.

Elise B. proves she has the wisdom, wit, and tenacity to blend the philosophy and comedy skills expert clowning requires, and she is without a doubt a star to watch out for—and that’s no joke.

Part “Westworld” and part “The Office,” Ms. Salazar-Amaro’s play comedically dips into broad strokes of what it means for systems to not be working; whether reproductive, organizational, managerial, or even afterlife structure, each of the four characters faces an unsatisfactory system they seek to improve.

Call this opulent, over the top, musical extravaganza anything you like but be aware it will never diminish the incredible work of a first-rate creative team or depreciate the entertainment value that it delivers.

“Tornkid”’s innovation and creativity spinning the familiar with the unfamiliar through multi-disciplinary, cross-cultural storytelling will only continue to resonate with audiences.

I couldn’t help but remember the adage “Good things come to those who wait” after seeing the opening night performance of ‘Million Dollar Quartet’ (from the book by Floyd Mutrux and Colin Escott) now onstage at Port Hope’s Capitol Theatre.

This is a “Cabaret” that has spent too much time showering, shaving and shampooing; a production whose edges have been eroded under the faucet. It’s more a missed opportunity than a total misfire.

Unlike many of William Shakespeare's plays, the audience didn't need to know much about "The Merry Wives of Windsor" or read the script prior to attending in order to fully enjoy the performance. The cast, directed by Kevin G. Coleman, had the audience chuckling within minutes of starting the show making it clear that the next two hours of this outlandish farce would be nothing short of entertaining.

Pay a visit to the Winslow Farm and to 4th Line Theatre to feel the heartbeat of a rural community and a troupe of solid actors who tell a good story.

It’s one of those near inevitable stops on the way to success for an actor to work at a restaurant, dealing with temperamental patrons, apathetic co-workers, and a pretentious supervisor or chef who feels that their work is the greatest gift ever given to man. Such is the case for Sam in Becky Mode’s “Fully Committed,” produced by TheaterWorks Hartford.

Theatre on the Ridge should be congratulated for a fine summer festival encompassing drama, comedy, classics and Canadiana.  It has been a pool of diversity as wide as the Toronto Raptors’ fan base.  Their final production of David Ives’ ‘Venus in Fur’ deepens the pool even further with a witty production of a complex take on the battle of the sexes.

Haunting questions about their childrens’ deaths. Nights of nostalgia melt into scalding accusations. Tension, both sexual and platonic, is rampant.

These are the circumstances for At Black Lake at The Tank – while not every question was answered, the production led the audience through an eerie and sensory experience to great success. 

Armed with the knowledge that they have the ability to assemble a solid troupe of female actors, Little Theatre of Manchester has brought a light comedy about southern female camaraderie and the bonds of life long friendship in “The Dixie Swim Club” by Jessie Jones, Nicholas Hope, and Jamie Wooten.

Living In these disturbing times, in a country filled with division, it is heartwarming to let go and enjoy this delightful romantic comedy. Happily, there is renewed hope that love can truly bring together the most unlikely of people. The world premiere of Cary Gitter’s play, The Sabbath Girl, Is now on stage at Penguin Rep Theatre. Described as “a contemporary romantic comedy with heart about the loneliness of big-city life and the possibility of finding love at work or even next door.”

“Do Me,  Date Me, Dump Me” was a really fun show, that lets you laugh, not only at the woes of these characters, but at yourself as well. So,if you’re looking for a fun night out with friends, go to the Broadway Comedy Club, check out this show, and have a laugh.

“The Office! A Musical Parody” connects the heart of the beloved source material to the much-needed laughter of a 2019 audience stuck all too often in an often-times dark world.

Like many other Canadian playwrights, Joan McLeod enjoys writing about Canada. But what sets her apart is her desire to peel back the peaceful veneer of Canadian society and reveal the stark reality of conflict and unease that often goes unacknowledged. This is true of her 2013 play, The Valley, which takes an unflinching look at mental health and, more specifically, the interaction of on-duty police officers with citizens suffering with mental illness.