CT Review: "Nunsense" at Playhouse on Park
“Playhouse on Park kicked off their 11th season last week with a riotously hysterical production of the absolutely absurd musical comedy “Nunsense,” running through Oct. 13.”
Dallas Review: Millennial Poison Theatre Company Presents “Circle Mirror Transformation”
“Millennial Poison Theatre’s production of “Circle Mirror Transformation” crafts an engaging and genuine theatrical experience.”
L.A. Review: "Skintight" at Geffen Playhouse
“In SKINTIGHT, this multi-generational queer Jewish family, discovers lust is easy, love is hard.”
Canada Review: "Rent" with Broadway Across Canada
RENT rocks Vancouver’s Queen Elizabeth Theatre this week as Broadway Across Canada’s revives Jonathan Larson’s fabulous bohemian tale of artistes, New Yorkers and AIDS afflicted lovers for the 20th Anniversary Tour.
Off-Off-Broadway Review: “A White Man’s Guide to Rikers Island” at The Producers
“Hopefully, Richard Roy’s and Eric Webb’s commendable effort will result in a heightened awareness of the deplorable brokenness and systemic racism of America’s prison system.”
New York Review: "Mr. Parker" at Penguin Rep
The Penguin Repertory Theatre has done it again! Mr. Parker, a stunning new work by accomplished playwright, Michael McKeever, is an amusing, heartfelt and emotionally astute look at love, loss and the struggles of facing an uncertain future.
Off-Broadway Review: “Fern Hill” at 59E59 Theaters
“One wishes for a more coherent story with a more cathartic and realistic ending. A story more fitting for the assembled “rock stars” of the theatre.”
L.A. Review: “Latin History for Morons” : Required Class for All
“Leguizamo’s teaching style is engaging, crass, informative and entertaining. He probably would be fired on his first day for his raunchy drawings and multiple f-bombs, but for adult students, this one-man show is eye-opening and thought-provoking.”
New York Review: “L.O.V.E.R.” presented by Kaleidoscope Creative Partners
“Writer and actress Lois Robbins takes on this challenge with ease, drawing on her personal truths and experiences to excavate her life, love, and sexual encounters for humorous effect in the currently running “L.O.V.E.R.”’
Dallas Review: Garland Civic Theatre Presents Neil Simon’s “Plaza Suite”
“Garland Civic Theatre’s production of “Plaza Suite” packed a powerful comedic punch which hit a home run with the audience.”
Off-Broadway Review: Colt Coeur’s “Eureka Day”
“What could go wrong at a private school whose board of directors (all five of them) make all decisions based on consensus and have only what benefits the community at heart? “
Off-Broadway Review: “Only Yesterday” at 59E59 Theaters
“Writing a play about two iconic figures like Paul McCartney and John Lennon is risky business. Bob Stevens’s “Only Yesterday” currently running at 59E59 Theaters falls victim to taking such a risk.”
New York Review: LadyFest 2019: “devour.” presented by The Tank
“Senior’s original work speaks as an artistic blend of what it is like to have the inevitable condition of possessing a heart and a body.”
Dallas Review: Casa Manana Presents “The Buddy Holly Story”
“Under the spacious Casa dome, director Parker Esse crafted a high energy, gripping performance which skillfully told the story of an iconic American rock and roll legend.”
New York Review: “See You” presented by The Bridge Production Group
“You must run to see See You, for it already sees through us.”
New York Review: LadyFest 2019 - “No Place” presented by The Tank
“No Place stands as a powerful, haunting piece about global inter-connectivity where too much information has led to not enough empathy in a not-too-distant, deadly future.”
Off-Broadway Review: Chatillion Stage Company’s “Tech Support”
““Tech Support” – despite its well qualified and talented cast – barely rises above the rigorous and well-established standards for community theater.”
Los Angeles Review - "Witch" at the Geffen Playhouse
“WITCH leaves the audience wondering how much a soul is worth, when hope is hard to come by today.”
Off-Broadway Review: Red Bull Theater’s “American Moor”
Keith Hamilton Cobb, under Kim Weild’s sagacious direction, takes on these societal false securities with an enormous passion and a deep desire for healing.
Off-Broadway Review: “Dust” at New York Theatre Workshop (Second Opinion)
“Dust” is a remarkable vehicle for understanding some of the dynamics of suicide and should not be missed during its limited run in New York City.