There is little doubt that there are some fantastic programs in Canada. So we wanted to make sure we gave them their proper attention for any students that may be looking to study there. We base our rankings on tuition/financial aid/scholarships, curriculum, faculty, career support, basically, everything you yourself would consider before making a college choice. We even have gone as far to call admission offices to ask them questions. 

So without further ado, here are our picks for the Top Five Theatre Colleges in the Great White North. 

Theatre newcomer, Arielle Crosby, is no stranger to the stage. A native Detroiter, Arielle has been singing all of her life and has been performing since the age of 11. It all began with winning the city-wide Delta Sigma Theta sponsored Jabberwock Talent Competition and led to performances across the eastern/southern region of the US and countries around the world.

It is a radio play that is over 25 years old, yet the artistic producers at Fabulist Theatre in Vancouver, BC believes the themes in Dim Sum Diaries are just as relevant today. Onstage Blog sits down with director Mary Littlejohn to chat about the show.

Adam Da Ros is an award winning music director and is a stage director. Trained at the University of British Columbia, Adam has a diverse range of talents from both the world of opera and musical theatre.

On a day to day he serves as an artistic associate for the prestigious Vancouver Opera Company and is the stage director for Opera Mariposa/Heroic Opera's production of Un ballo in maschera.

Tomo Suru's production is set in XY nightclub in the heart of Gay Vancouver's Davie Street Villiage. This immersive production has the audience in cabaret seats while performers perform the show. Onstage Blog Vancouver contributor spoke with the creative team Gerald Williams (Artistic Director), Jeremy Hoffman (Musical Director) and Lyndsay Britten (Choreographer) about the show.

Before I begin to address this, there is one very important matter - which I boldfaced above - that I would like to address. Instrumentalists, you are not background wallpaper to us, the singers. Speaking as a professional opera singer who has also done musical theatre and concert work, at no point, ever, have I considered the pit musicians anything less than colleagues and collaborators. This is a disgusting statement to make about highly trained instrumental musicians, and I am very sorry you had to deal with hearing it (and for those who have worked there, had to apparently endure this idiocy.)