“With its timeless themes, compelling characters, and potential for artistic innovation, Grand Hotel is a revival worth waiting for.”

“Dreamgirls hasn’t been on Broadway since 1987—and honestly, how is that even possible? With its powerhouse vocals, timeless themes, and proven success in the West End, it’s long past time for this iconic musical to make its grand return to the New York stage.”

“There are bigger shows in the Best Musical race. Louder ones. Flashier ones. But if voters are actually paying attention to the heart of this season, then Maybe Happy Ending is right there in the mix.”

“I will never stop championing Kander & Ebb’s overlooked gem, Steel Pier. It’s haunting, hopeful, and ready for a revival—or at the very least, a little more love from the theatre world.”

“The cast of Dead Outlaw just canceled their Library of Congress performance in protest of Dr. Carla Hayden’s sudden firing — and they’re not alone. With Hamilton and Les Mis also taking a stand, Broadway is reminding us that art and advocacy go hand in hand.”

“Why haven’t we had another mega-hit musical in nearly a decade? Well, let’s unpack it because the answer isn’t just one thing. It’s a perfect storm of industry realities, creative risks, and cultural shifts.”

“Why hasn’t The Producers been revived on Broadway? With London rolling out the red carpet for a new West End run, it’s time Broadway remembered just how much we need this outrageous, joyful, tap-dancing love letter to theatre.”

“We’re living in a moment of book bans, rising hate crimes, deep divisions, and a whole lot of noise. Ragtime doesn’t flinch from the ugliness, but it also refuses to give up on hope.”

“This is about how we dangle opportunity in front of hopefuls to generate buzz, build followers, create engagement—and then snatch it away when it’s time to get serious.”

“What began as a casual way for fans to connect with artists has ballooned into an expectation—one that doesn’t always respect the boundaries or well-being of the people on either side of the barricade.”

“Blood Brothers has never gotten a real chance to resonate with American audiences the way it has with British ones—and we’re finally living in a moment where it could.”