Spotlight

Stories that deserve your attention

Auditions, Observations Christopher Peterson Auditions, Observations Christopher Peterson

Handling Rejection...

Rejection is a big part of the theatrical industry, and it is something that everyone in the business must deal with. However, instead of dwelling on the pain of getting rejected, let’s focus on the ways you can overcome the feeling of dejection, and how to turn it into something constructive.

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Observations Christopher Peterson Observations Christopher Peterson

Surviving Tech Week with Chronic Pain

Whether you're running backstage or building cues from a tech table, being in tech week takes a toll on your body and mind, no matter how fun it can be, everything hurts just a little more. There are things you can do to make tech week easier, though, and your body will thank you!

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Broadway, Observations Christopher Peterson Broadway, Observations Christopher Peterson

How Did Broadway Become Viral?

Do you love theatre? Yes. Do you love Broadway?  Yes. Do you yearn to be on the Broadway stage? Yes. Do you eat, sleep, live Broadway? Yes. Have you ever seen a Broadway show? …..no… Have you ever been to New York? ….no…. Well, how the hell do you love something that you have never encountered?

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Observations, College Christopher Peterson Observations, College Christopher Peterson

Theater is Everywhere: Even in the Sky

I literally find drama everywhere I go, whether it’s in my own exceptionally dramatic behavior, or in the universal human habits, I notice which are sneakily Tony-worthy. I’m spending my summer in my hometown, and not doing very many theatrical things. But upon returning home, I was almost immediately struck by a rather intrusive recognition of drama in my life. 

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Observations Christopher Peterson Observations Christopher Peterson

Shock Factors: How Much Is Too Much?

I love a good shock factor in theatre. I love when something really surprises and resonates with me in a production, it makes me admire the work of the director and actors even more; it shows that the cast and crew are not afraid to take risks.

Though I’m a fan of shock factors, I’m not a fan of all shock factors.

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Observations Christopher Peterson Observations Christopher Peterson

The Difference Between Passion and Anger

It’s safe to say that people in the world of theatre tend to have particularly strong feelings about the artform. Fans and critics can (and will) loudly and vehemently debate everything from the merits of a particular casting decision, to the trends of the day, to who deserves the Tony.

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Community Theatre, Observations Christopher Peterson Community Theatre, Observations Christopher Peterson

Stop the Bashing Within Our Theatre Communities

One thing that I have seen a lot more often around my theatre community is that people are bad mouthing their first theatre community. Sometimes we don’t realize that other people in our theatre circle are listening to what we have to say about different topics. Including this one which has so much to do with how we are viewed by others, especially potential directors you might work with in the future.

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Broadway, Observations Christopher Peterson Broadway, Observations Christopher Peterson

Knowing Ned Vizzini's Story Changed the Way I Watched "Be More Chill"

May is #MentalHealthAwarenessMonth, and Broadway is no stranger to mental health issues. Anxiety and depression have been tackled head on in recent hits like Dear Evan Hansen, and Be More Chill. These shows have brought the issues out of the shadows and into the spotlight by weaving relatable stories of characters who suffer into heartbreaking raw and honest songs.

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Observations Christopher Peterson Observations Christopher Peterson

Theatre Devising – What I Learned

Devised Theatre is defined as a method of theatre-making, also referred to as collective creation, in which the performance originates from collaborative, often improvisatory work by a performing ensemble. It has grown more popular over the years, and it has contributed to a large part of theatre-making.

There are so many ways you can go about devised theatre. You can start with a central theme that you want to base your piece on, which leads to research and acquiring knowledge regarding the subject so that you can then decide on the message you would like to pass on to your audience. Another way of starting out is by workshopping methods and/or exercises to create pieces that might then make it to the piece later

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