Spotlight

Stories that deserve your attention

United Kingdom Christopher Peterson United Kingdom Christopher Peterson

The Katharine Mcphee Girl Crush

The Katharine Mcphee girl crush is very real.

I recently saw her in ​Waitress​ at the Adelphi Theatre, written by the incomparable Sara Bareilles and Jessie Nelson. I didn’t go solely for Mcphee and in fact knew nothing about the show at all, other than I love the composer. I simply bought a couple of tickets as it seemed to have good reviews.

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Community Theatre Christopher Peterson Community Theatre Christopher Peterson

The Problems that Come with the Lack of Men in My Theatre Community

Starting a new show is always an exciting time for an actor/ actress, and it’s an excitement I live for whether I’m doing tech on the show or acting in it myself. But I’ve noticed something particular happening in my theatre community.  There is inherent sexism that is prevailing over every single theatre group in my hometown.  We have about 12 different groups, and we all run into the same problem-  the shortage of men.

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Community Theatre, Observations Christopher Peterson Community Theatre, Observations Christopher Peterson

Stop the Bashing Within Our Theatre Communities

One thing that I have seen a lot more often around my theatre community is that people are bad mouthing their first theatre community. Sometimes we don’t realize that other people in our theatre circle are listening to what we have to say about different topics. Including this one which has so much to do with how we are viewed by others, especially potential directors you might work with in the future.

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Community Theatre Christopher Peterson Community Theatre Christopher Peterson

How to Select a Good Season

Whether you’re a big commercial theatre company, regional theater, community theater, conservatory, or high school, picking a season should never be random and thoughtless. The shows an organization produce are integral to how it's perceived by potential theater-goers. When choosing a season, it’s important to keep the actors and director in mind, as well as the type of theater-goers you’re trying to attract.

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Broadway, Observations Christopher Peterson Broadway, Observations Christopher Peterson

Knowing Ned Vizzini's Story Changed the Way I Watched "Be More Chill"

May is #MentalHealthAwarenessMonth, and Broadway is no stranger to mental health issues. Anxiety and depression have been tackled head on in recent hits like Dear Evan Hansen, and Be More Chill. These shows have brought the issues out of the shadows and into the spotlight by weaving relatable stories of characters who suffer into heartbreaking raw and honest songs.

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Broadway Christopher Peterson Broadway Christopher Peterson

Making Golden Age Shows for a Modern Audience

When the average person thinks about musicals, they often think about musicals from the golden age, like ​Guys and Dolls​, ​Oklahoma​, ​My Fair Lady​, or South Pacific to name a few. These musicals have maintained their popularity among musical theatre lovers and occasional theatre goers alike: they’re nostalgic, safe, and predictable. However, in today’s world, safe and predictable can also be exclusive and out of touch. 

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Observations Christopher Peterson Observations Christopher Peterson

Theatre Devising – What I Learned

Devised Theatre is defined as a method of theatre-making, also referred to as collective creation, in which the performance originates from collaborative, often improvisatory work by a performing ensemble. It has grown more popular over the years, and it has contributed to a large part of theatre-making.

There are so many ways you can go about devised theatre. You can start with a central theme that you want to base your piece on, which leads to research and acquiring knowledge regarding the subject so that you can then decide on the message you would like to pass on to your audience. Another way of starting out is by workshopping methods and/or exercises to create pieces that might then make it to the piece later

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Observations, Broadway Christopher Peterson Observations, Broadway Christopher Peterson

Is ‘Sexy Sandy’ a Problem Today? – My Opinions on the Ending of Grease

Young people today are bombarded by images of what they ‘should’ look like, due to social media exposure. The ‘perfect’ body is just a societal construct and this unhealthy ideal needs to be eradicated. Young people should be encouraged to accept themselves no matter their shape and size, and to be confident in themselves as people. No one likes horrible people, even if they are a size petite. The popular movie musical Grease is still hugely popular today, and while the songs are undeniably catchy, I don’t think the message portrayed by Sandy’s drastic change at the end of the movie is entirely the right one to be sending out to today’s impressionable teens and young adults.

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Christopher Peterson Christopher Peterson

One More Red Rose- What a Love Poem Taught me About Theatre

What's one more red rose? No, I'm not talking about Hadestown.

You know how you can hear something and have it change your life forever? Well, in typical art kid fashion, I heard a poem. It was sprung on me by my acting teacher my sophomore year of high school. She was monologuing about something I couldn't even begin to remember, and all of a sudden she segued into the most beautiful piece of text I had ever heard. It was a big metaphor comparing love to everything and anything you could could imagine and trying to figure out just what it was that made love so special. The piece is called “Little Word, Little White Bird” by Carl Sandburg, and after hunting for a few years, I finally found it in some obscure corner of the internet. Read it for yourself here (I would recommend reading it aloud):

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Children's Theatre Christopher Peterson Children's Theatre Christopher Peterson

Trying to Find Gender Equity in Youth Theatre

“It’s my fifth year. I just want a line.” Written on audition form by a girl in a musical theater summer program.

There is a glaring achievement gap in children’s theater. Every town seems to have a handful of girls who could go on America’s Got Talent (ATG) and get an impressed nod from Simon Cowell. They are the budding Rachel Berry’s in our lives. These girls, (I call them the ATG girls), through a combination of genetics and opportunity have golden voices and a surfeit of self-confidence. They are amazing. Most of them work hard and show up on time and they get all the leads from the time they are ten years old. And they nail these parts almost every time. They are joyful to watch.

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