
Broadway’s labor talks are essential for fair pay and better working conditions — but if rising costs keep driving up ticket prices, the audience could become the biggest casualty. We can protect both the artists and the accessibility of the art.
MAGA is melting down because Bad Bunny—an American citizen from Puerto Rico and one of the biggest artists in the world—is performing at the Super Bowl halftime show. The irony writes itself.
Theatre is supposed to unify, but too often we cling to division. Laura Osnes’ absence forces us to ask: are we a community that believes in permanent exile—or in welcoming people back?
“I do not think Broadway or the West End will or should ban alcohol overnight. But I do think we have hit a tipping point where something has to change.”
Choreography is copyright too. Baldwin Wallace University faced an issue when a choreographer’s work was used without permission. They owned the mistake and made it right. A reminder that every step deserves protection.
CBS has fired Matlock actor David Del Rio following a sexual assault allegation involving a co-star.
In the wake of the Charlie Kirk shooting, scrutiny around online commentary has only intensified. Emotions are raw, reactions are magnified, and institutions are especially watchful of how their faculty and staff engage in public discourse.
Broadway Licensing Group’s sale to Concord looked like a success story. Now it’s at the center of a lawsuit claiming insiders enriched themselves while others were left behind.
A lawsuit accuses the co-founders of a Connecticut community theatre of grooming and sexually abusing a former performer who began participating with the group at just 9 years old.
A Broadway producer has been sentenced after stealing COVID small business grants through falsified records.
Former Bay City State Theatre director Mike Bacigalupo has been charged with federal wire fraud, accused of defrauding multiple organizations between 2020 and 2023.
If a show performs on a Broadway stage, those performers deserve Broadway pay — full stop.
“Receipts don’t lie,” one investor said. So why are Cabaret’s producers so terrified to show them?
Dreamgirls is finally coming back to Broadway in 2026 and that is thrilling news. The only caution is the “nationwide casting search.” Hopefully it is about real discovery and not just a marketing stunt. This show deserves sincerity.
Anastasia never became the Broadway juggernaut people thought it would. I’ve been reflecting on why, and why I still liked it anyway.
What if Broadway’s first week of previews was free? Not a chaotic rush, but a lottery for assigned seats, letting anyone feel the magic before opening night. Impossible? Absolutely. But worth dreaming about.
“Sabrina Carpenter was on Broadway for two nights before COVID shut it down. Will she ever come back? I hope so."
It’s not always a choice between Equity and non-union. Sometimes it’s a choice between working and walking away.
“This is what a perfect Act One closer does: it changes the lens. Everything before “Who I’d Be” is about a mission—rescue the princess, claim the swamp. Everything after is about identity and love.”
Theatre is flexible when it wants to be. The question is: will we use that flexibility to make space for trans and nonbinary performers?
We talk endlessly about toxic masculinity, but toxic femininity usually gets stuck in high school storylines. What about when those same behaviors show up in the office, in friendships, in adult relationships?
Not every cast becomes a family — and that’s okay. Whether it’s Broadway or high school, cast mates are coworkers first. You don’t have to be best friends, but you do have to show respect and professionalism.
Are we overproducing queer tragedy on stage? In 2025, with politics charged and audiences hungry for more, the question lingers: where’s the balance between grief and joy, between history and celebration?
Our theatre classrooms are full of students who look like the world. But the faculty often don’t. If we want the future of the arts to be authentic and inclusive, that change has to start behind the table.
High school theatre isn’t sports. Competitions like the Jimmys can open doors for students, especially from smaller schools, but they can also distort the purpose of theatre and put schools in rivalry with one another.
From casting culture to alumni networks to the hidden realities of curriculum flexibility, I’ve rounded up 10 questions every aspiring theatre major should ask before applying.
“Before you even begin filling out applications or signing up for auditions, it is worth pausing to ask yourself why you want to major in theatre in the first place.”
If the freshman is the best fit for the role, cast the freshman. Theatre is not about seniority. It is about truth, talent, and telling the story well.
An Illinois High School has removed its theatre’s namesake after a student journalist uncovered his ties to a movement with controversial teachings.
Every fall, “Rocky Horror” takes the stage. I love this show as much as anyone, but casting minors in it is not bold, it’s reckless.
Thinking about auditioning for Legally Blonde: The Musical? Pink, sparkle, and energy will get you in the door, but heart and honesty are what book the role.
Directors: if you’re brave enough to cast a show, you should be brave enough to call the actors you didn’t cast. It’s uncomfortable, but it matters.
Opening night isn’t about chasing perfection. It’s about trust, connection, and stepping into the light with courage.
“The audition grind: that nerve-wracking wait, the crushing silence, and the bittersweet thrill of callbacks that don’t guarantee a role. Here’s a raw, honest look at what actors really go through in audition limbo.”
“I never thought I had a fear of heights until college theatre. What followed was an unexpected journey of anxiety, growth, and learning how to function through fear.”
Directors, your costume designer isn’t just picking out clothes. They’re building your world, one seam at a time. Here are the key questions you should be ready to answer
“A clean, organized props table doesn’t just support the show, it sets the tone. It says: we respect this process. We respect each other. We’re ready.”
“Stage managers are the glue holding productions together. If you’ve ever wondered whether stage managing might be your calling, here are five signs it could be a perfect fit.”
“This is a plea to every stage manager out there: if something feels unsafe, stop the show. Period. You are the last line of defense between a hiccup and a hazard.”