
“This isn’t just an unfortunate business story. It’s a cautionary tale about how easily the most vulnerable people in our industry can be left holding the bag when things go wrong.”
“It’s not just about saving a few bucks (though for a lot of actors, every dollar counts). It’s about treating people — especially emerging artists — with the kind of care that makes this industry better, not colder.”
"Not every show is right for your stage. If your community doesn’t have the type of talent a show requires, you probably shouldn’t do it."
“As the curtain rises again on a Scott Rudin production, the industry must decide whether the spotlight should still shine on him or finally turn elsewhere.”
“Being a member of an audience can provide a lot of challenges, as we all have our own idiosyncrasies and weaknesses. One of mine that I struggle with is being a big-time fidgeter.”
“With its timeless themes, compelling characters, and potential for artistic innovation, Grand Hotel is a revival worth waiting for.”
“Nicole Ballew Callaham, a South Carolina educator and theatre director, now faces over a dozen charges involving the grooming and abuse of a teenage boy she met through community theatre.”
“The Thomaston Opera House, a place that should feel like a creative home, is making a lot of people feel uncomfortable, unwelcome, and unheard.”
“A beloved community theatre has closed its doors. Not because of a lack of passion or audience support, but because of a troubling mix of copyright violations, financial mismanagement, and lost trust.”
“Not a full ballot—just one collective vote added to each category. It could boost engagement, bring in new audiences, and give Broadway lovers a real seat at the table. Here's why it might be time.”
“La Scala is drawing a clear line: this isn’t a casual tourist stop. It’s a cultural institution, and you are expected to dress like it. So should Broadway do the same?”
“If the audience is cheering and laughing through scenes of trauma, does that change the impact, or just reflect the complicated way we process these topics today?”
“There’s plenty of advice out there for auditions. But hardly any of it talks about your first audition. The one where you have no idea what to expect. Where everything feels new and a little overwhelming.”
“While there are plenty of traditional resources to help you sound more like a Glaswegian fisherman, sometimes the best breakthroughs come from outside the box. So here’s one method that might surprise you: learn the accent by singing in it.”
“Stage managers are the glue holding productions together. If you’ve ever wondered whether stage managing might be your calling, here are five signs it could be a perfect fit.”
“This is a plea to every stage manager out there: if something feels unsafe, stop the show. Period. You are the last line of defense between a hiccup and a hazard.”