I love rehearsal. I love growth. What I do not love is the nightly end-of-rehearsal notes dump that makes everyone feel like they’re being graded in front of the class. Directors, can we reinvent this?

If your community theatre can’t afford an intimacy coordinator, should you still do the show? The answer isn’t as simple as yes or no. But “we’ll be fine” isn’t a safety plan, and checking a box at the last minute isn’t care.

Line readings are the quickest way to turn a rehearsal room into a one-person show with a bunch of understudies.

Let’s talk about crying on stage. Why it doesn’t always show up when you want it to, why forcing it rarely works, and what actually matters more than tears.

Ever wonder why you can get a callback, do well, and still not get cast? From the other side of the table, here’s what’s actually being considered—and why it’s rarely personal.

A community theatre announced a show, held auditions, and scheduled rehearsals—only to discover they never secured the rights. It’s an uncomfortable but important reminder: before dates, before casting, securing the rights has to come first.

Prop guns aren’t just props, they carry real responsibility. A reminder that safety, training, and clear protocols aren’t optional—they’re part of the craft.

One of my biggest audition pet peeves: the pointless callback. If there’s no direction, no curiosity, no intention behind bringing people back, it’s just wasting everyone’s time.

Every fall, “Rocky Horror” takes the stage. I love this show as much as anyone, but casting minors in it is not bold, it’s reckless.

“The audition grind: that nerve-wracking wait, the crushing silence, and the bittersweet thrill of callbacks that don’t guarantee a role. Here’s a raw, honest look at what actors really go through in audition limbo.”

“I never thought I had a fear of heights until college theatre. What followed was an unexpected journey of anxiety, growth, and learning how to function through fear.”

“Let’s start with the uncomfortable truth. Yes, your follower count matters. No, it’s not the only thing that matters, but if you think social media is just a distraction or a popularity contest you can afford to ignore, you are missing a crucial part of today’s entertainment industry.'“

“In a world of digital playbills and deep thematic essays, wouldn’t it be refreshing if more directors just... told us a fun story from rehearsal?”

“So you said yes to a community theatre show… and now you need to quit. Here’s how to bow out without burning it all down.”

“Firing an actor in community theatre is never easy and never one-size-fits-all. It’s a tough, emotional decision that calls for compassion, clarity, and a whole lot of care.”

“While there are plenty of traditional resources to help you sound more like a Glaswegian fisherman, sometimes the best breakthroughs come from outside the box. So here’s one method that might surprise you: learn the accent by singing in it.”

“If you’re an actor who wants to work, your online presence matters.”